天津 — 河岸上的文字

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C2 — GRAND TEA LETTERING.
Five-colour hand-drawn grand serif lettering integrated with a connected regional tea world. The large single region word is the unmistakable structural hero, fully readable with clean counters and open interiors. Put real scenes around the letter feet, in the intervals and behind selected edges. Do NOT fill the letters with photographs or landscape textures, disguise letters as mountains, or cover their skeleton. A branch, roof or working hand may cross one small edge. The letter rhythm binds varied human-scale discoveries into one authored composition.

REGION: TIANJIN. EXACT PALETTE: #255762, #A48235, #C67355, #7E9C81, #9E86A0. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

Create the clear grand serif word TIANJIN over a connected riverside merchant quarter. At T/I a tea merchant pours loose supplied leaves onto a balance; under A/N a customer smells a plain sample cup; beside J a tea server carries a kettle toward two listeners; at the final I/N two xiangsheng performers stand at a small stage table. Behind the last letters show an unlabelled open stockroom with tea chests and a tiny river boat. The Haihe river is a transparent interval with a few edge strokes, never a solid turquoise band.

REGIONAL TRUTH: Tianjin is a northern tea-trade and tea-drinking city, not a tea-growing province. Its established jasmine-tea merchants obtained and processed supplies in southern tea regions before bringing tea to Tianjin. Zhengxingde is documented evidence of this merchant culture, but no brand logo is needed. Qianxiangyi is a documented teahouse performance venue, supporting the combination of xiangsheng, tea tables and social listening. The Haihe, merchant architecture and port identify the city. Any tea stockroom in the artwork is an interpretive trade scene, not an invented named tea museum. Do not invent local tea fields, a special Hakka sweet tea or export-market statistics.

SPECIFIC COMPOSITION: A low shop-and-stage roofline binds the letter bases, with one near tea packet and kettle projecting forward. Preserve the narrow I letters and the entire J descender. Five specified inks divide brass scale, roof, clothing and leaf accents; lettering must remain plain and readable rather than photographic architecture fills.

TEXT: Main title exactly "TIANJIN". Secondary labels, each once and attached to its correct scene: Jasmine Tea; Tea Merchants; Xiangsheng; Haihe. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.