江西 — 茶与器在词语中生长

Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: A LIVING REGIONAL WORD. Follow the supplied GD22 reference: a monumental original serif region name interlocks with illustrated tea life. Make each letter instantly legible. Roofs tuck under terminals, branches overlap selected edges, people work at letter bases, and regional landforms flow between counters. Crisp decorative pen illustration and selective five-colour accents, never a painting pasted inside letters.
REGION: JIANGXI.
PALETTE: #2F457B, #B57241, #759383, #C4AB67, #B287A1. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Build a green-tea landscape with a clearly distinct black-tea craft. Wuyuan: green-tea picking and hand pan work below white-walled dark horse-head gable houses. Fuliang: a separate tea-sorting workshop and cultivated hills near Jingdezhen, not a pottery kiln pretending to process tea. Lushan Yunwu: tender tea shoots and a small hillside garden beneath a mountain eave, with no opaque fog. Suichuan/Gougunao: a maker handles small tender green leaves in a shallow pan on southern foothills. Xiushui/Ninghong: darker long twisted black-tea leaves rolled and dried at a separate table, clearly different from the green tea nearby. Shangrao Baimei: straight downy tender leaves on a board. Zixi Baicha is green tea made from pale-leaf cultivars: show a pale open sprig and pan craft, not a white-tea cake. Jing'an has another pale-leaf garden episode, without an invented unique process. Jinggangshan's tea-bearing forest slope comes from the source map; southern Shangyou has green-tea picking. Jingdezhen contributes beautiful unbranded teaware and a pottery worker as a small supporting craft, while Jiujiang/Nanchang tea trading sits by open water. Ten tea captions maximum.
AUTHORED COMPOSITION:
Build the seven-letter JIANGXI as a monumental crisp serif word. J curves above a Wuyuan pan, I stands beside a pale Zixi shoot, A opens toward a Fuliang sorting table, N spans two gabled roofs, G shelters a large ceramic cup, X echoes a potter’s crossed working arms without replacing its strokes, and the final I rises near a southern tea branch. Xiushui Ninghong rolling remains a separate dark-leaf table at the word base; Lushan, Shangrao and Suichuan work occupy smaller inhabited slopes behind. Use five crisp inks for real tools, leaves and roof planes. Keep the exact letters and counters clear; no generic scenic painting inside the word and no pottery firing mistaken for tea roasting.
LETTERING PLAN:
JIANGXI once. Supporting captions only WUYUAN, FULIANG, LUSHAN, XIUSHUI, SUICHUAN, SHANGRAO, ZIXI, JINGAN, JINGGANGSHAN, SHANGYOU. Pottery and trade do not add extra tiny labels.
REGIONAL SAFEGUARDS:
Zixi Baicha is green tea from pale-leaf material, not the white-tea category. Ninghong is black tea and must have separate rolling craft. Pottery kiln is for ceramic vessels, not tea processing. Gougunao is a place/product name, never dog anatomy. Yunwu is not permission for a printed fog backdrop. No oil-camellia fruits, mythical origin dates or medicinal claims.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.