山西 / SX_C7
山西 — 基于真实杯子
九个大型场景以简洁轮廓呈现;当地连翘茶汤与外来茶分开。
已审核可发布 · 已查看图画并对当前文件进行技术检查

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi
事实依据与题材选择
九个大型场景以简洁轮廓呈现;当地连翘茶汤与外来茶分开。
图名与图语
任务中只规定了一个词——SHANXI,用带衬线的大号拉丁字母。小地名、中文文字、数字和第三方标志均被排除。这是任务描述;实际可读性另行评估。
绘制方法与风格参考
研究了广州、澳门、香港和珠海城市主题的真实旅行杯照片。从中提取了观察到的图案特征:中等生动的手绘轮廓、简单可识别的剪影、选择性平面色彩点缀和顶部带状大标题。具体查看的角度组合因地区而异。
当地场景在尺度、形态和高度上各不相同。它们的并置形成整体节奏;不设定连续全景、统一地平线、相同模块网格或固定留白比例。轮廓之间与内部保持通透。
陶瓷表面、高光、手和照片中的物体背景不属于新绘图。参考图像和个人原始照片不在此发布。每个地区的三种颜色是作者调色板,而非所拍摄茶杯的实测涂料标准。
审核依据
SHANXI是唯一的大标题,干净的中等轮廓和开放内部。茶包、秤、算盘、饮茶和建筑图案易于辨认;没有以前的绘画柔和感。这是旅游场景集合,不是逐件精确的地图。
PNG RGBA 3840 × 1152 像素;真实 alpha 通道;按比例导出 250 × 75 毫米。
经审阅后允许用于开放画廊;并不意味着用户认可工业化批量生产。
创作方案配色
#3A3C49
#B28A39
#797356
原始生成提示词
文本与公开 TXT 一致。铭文与细节清单描述的是作者任务;并非 OCR,也不承诺在缺少所用参考的情况下可复现。
SHA-256: c66afd1931708c318884c1c51fce568a34044a992086d04d83bf5774f4866490
阅读完整提示
RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering. Create an original flat souvenir-cup decal, not a mug mockup or a photographed product. Follow the approved real-cup outline style with simple shapes and restrained accents. Do not reproduce the source map's parchment, dense relief shading or filled scenery. Native canvas 3840 x 1280 pixels, actual RGBA PNG, with every mark safely inside x60..3780/y110..1170; final centered export is 3840 x 1152 for 250 x 75 mm. Keep all canvas margins alpha zero. No visible frame or printed technical information. Use confident, slightly human 5–7 px outlines, readable at 75 mm print height. Most object bodies are open alpha-zero interiors: the ceramic itself becomes the unprinted colour. Only small, sharply bounded flat accent patches; no white or cream backing, no sky/ground slab, no brown wash, watercolor, airbrush, photographic texture, dense engraving or crosshatching. Use 3–5 short interior marks for an ordinary vessel or object, a few essential openings for a building. Tea steam is at most one or two open curls. No global ground line connecting every scene. Arrange 8–10 substantial, unequal episodes in a lively irregular field. Put the largest episode off-center, let a tall narrow object answer it, and fit a few smaller ones into purposeful gaps. Different heights and natural overlaps are welcome, but every episode needs a legible silhouette and a clean breathing channel. No fixed whitespace percentage, no equal two-row sticker grid, no miniatures scattered under an enormous empty heading. Preserve real regional identity through observed objects and explicit tea actions. Never invent tea farms or label herbs as tea leaves. Architecture is a geographic motif; contemporary tea pauses are authored scenes, not historical evidence. C7: REAL SOUVENIR-CUP PEN DRAWING. Match the approved Xinjiang and Shanghai cup illustrations through warm, assured medium outlines and selective small flat accents. At native size use approximately 5–7 px main strokes and only 3–5 interior strokes per simple object. Larger buildings may have a few more essential windows, never dense hatching. Most enclosed bodies remain transparent. Draw 8–10 unequal, generous subject groups at different heights, with irregular open channels between them. This is neither an evenly spaced icon grid nor a tightly packed panoramic painting. No watercolor, sepia haze, opaque cream objects, stippled shading or engraving. REGION: Shanxi. Palette: #3A3C49, #B28A39, #797356. First colour is the main outline; remaining two are small flat accents. No additional inks. Draw NINE large uneven episodes: (1) a Qixian-style merchant courtyard with one trader opening a tea bale and a visible leaf scoop, the main historical-trade group; (2) a tea balance, plain abacus and blank ledger on a compact counting desk, no invented script; (3) a Pingyao gate with a contemporary guest tea table and two cups; (4) two Bactrian camels and handler approaching a modest northern pass gate; (5) one Yingxian wooden pagoda with simplified stacked roofs and just essential openings; (6) a small Hanging Temple attached believably to a single sheer cliff; (7) Hukou waterfall as a few strong open strokes beside two loess cave-house arches; (8) a respectful small Yungang cave facade and distant Wutai stupa as one unequal architecture group; (9) a forsythia branch, leaf tray and separate herbal-infusion glass with a tiny iron-ox silhouette nearby. No tea plantation, no invented pressing factory, no historical banknote. The broad merchant scene and narrow pagoda balance each other; keep the supporting groups big enough to read at mug size. Main charcoal contours, restrained ochre roof/tea accents and muted olive leaves. Water, ceramic bodies and cliff interiors remain mostly unprinted. The title must say SHANXI, never SHAANXI. PRINTED TEXT: exactly "SHANXI" once, near the upper composition, in warm hand-drawn block-serif capitals. This is the only visible text: no place names, subheadings, numbers, Chinese, labels, logos or signatures. Keep the word readable and scaled to the drawing, not an oversized empty banner. Preserve the anatomy and silhouette of local animals and vessels; do not repeat or multiply episodes to fill gaps. Deliver the drawing itself on genuine transparency.