山东 — 海岸与内陆茶山

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C3 — LIVING TEA TERRITORY.
Five-colour illustrated tea territory, richly connected with a real regional river, ridge, street or courtyard procession as its organising spine. One large near tea action, a substantial counterweight and smaller midground scenes form three depths. Neighbouring episodes share real ground contours or architectural parts; there is no two-row grid or detached sticker arrangement. Strong condensed regional title fits the lower rhythm without acting as an opaque footer. Warm human storytelling, controlled decorative detail and selective flat accents.

REGION: SHANDONG. EXACT PALETTE: #244F67, #D08836, #819853, #B76658, #6FADB3. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

A wide tea courtyard sits between a low coastal ridge and a gentler inland valley. At left Laoshan granite shoulders frame cultivated Wanggezhuang tea rows and a worker sorting leaves. Near the centre Rizhao harvesting flows into an open processing shed; at right Yimeng hills contain smaller Junan, Yishui and Linshu tea scenes. In the foreground a host compares dry green-tea leaves on two trays before pouring for a guest. Make the growing, spreading, heating and tasting actions distinct rather than repeating five tiny teapot sets.

REGIONAL TRUTH: Shandong's documented tea identities include Laoshan green tea around Qingdao, Rizhao green tea and the Yimeng tea area around Linyi. Wanggezhuang is a major Laoshan growing and processing locality; Rizhao has tea producers in Lanshan and Ju County. Junan, Yishui and Linshu are real parts of the Yimeng tea story. Show northern coastal cultivation in low hedges, leaf handling, processing and drinking, not tea bushes growing in seawater. Taishan and Qufu are cultural landmarks, not evidence for monastic tea estates. Do not claim that Laoshan is the only seaside tea or that all Shandong hills are planted with tea.

SPECIFIC COMPOSITION: The back ridge opens toward a single irregular transparent courtyard, with a narrow sea gap on one side. Foreground hands and rack are large enough to read at mug scale. Condensed SHANDONG rests at the lower curve, cleanly separated from basket and table legs.

TEXT: Main title exactly "SHANDONG". Secondary labels, each once and attached to its correct scene: Laoshan; Rizhao; Junan; Yishui; Linshu. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.