海南 / HI_C5
海南 — 岛屿茶巡游
友好的城市、树叶和海岸生活轮廓。
已审核可发布 · 已查看图画并对当前文件进行技术检查

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi
审核依据
已审阅白底上的新PNG:完整的明亮海南构图,清晰的大标题,明确的面孔、叶片、篮子、屋顶和棕榈树;边缘物体完整,透明空隙和三个主要区域颜色保留。之前的模糊已消除。
PNG RGBA 3840 × 1152 像素;真实 alpha 通道;按比例导出 250 × 75 毫米。
经审阅后允许用于开放画廊;并不意味着用户认可工业化批量生产。
创作方案配色
#075B70
#C54D68
#61A477
原始生成提示词
文本与公开 TXT 一致。铭文与细节清单描述的是作者任务;并非 OCR,也不承诺在缺少所用参考的情况下可复现。
SHA-256: fc545d538c2a651b13416a56ea22bcc2fa94f6a0e48ffae82c0fd8b10e6d7857
阅读完整提示
Create a new exceptional flat ceramic decal illustration. The supplied image is a reference for clear professional print drawing only; do not reuse its region, architecture, lettering or palette. This output is the artwork itself, never a mug or photograph. Native 3840 x 1280 RGBA PNG with transparent background. All complete drawn objects and all lettering must remain within x=100..3740 and y=120..1160. The final transparent canvas is 3840 x 1152 pixels at 250 x 75 mm. Use the width generously and keep normal proportions. PRINT LANGUAGE: The image must look newly drawn with deliberate sharp graphic strokes, not like an aged or blurry reproduction. Clean edges, legible silhouettes, selective controlled internal marks. No soft brush, watercolor, noisy scanning, halftone fog, faded double contours or dirty pale halo. Antialias edges normally but keep the body of each ink stroke opaque. Empty areas between and inside forms have genuine alpha zero. No white painted background, cream paper, filled sky, solid sea panel, frame, shadow or simulated ceramic. All colour must belong to an identifiable object. Separate the near, middle and far forms by line weight and scale, not translucent mist. REGION TITLE: HAINAN. PALETTE: deep sea teal #075B70, coral #C54D68, leaf green #61A477. Bold rounded hand-drawn collector print with clear medium outlines, selective flat colour and generous open interiors. The title has two clean contours with no shadow. All line joins look intentional and sharp. Make an island tea promenade with one enormous shallow circular tea basket in the lower foreground, its open rim and only a few large curved tea leaves clearly readable. Behind its left rim a Baisha picker reaches toward a tea branch; three curving tea-row bands connect the gesture to a shaded open-sided workshop. At the right rim, a Shuiman tea-maker turns leaf in a simple pan; behind the maker rises a steeply thatched Li house and the five-peaked Wuzhishan silhouette. A curved route from the basket leads left to three large Haikou arcade bays and two people sharing small cups. On the far right this same flowing contour becomes sparse coastal water lines, a single red sail, two palms and three rounded rocks. Use overlap and varied heights, not separate circular landscape islands. Put the large friendly outlined HAINAN above the middle, its shape echoed by the basket curve. Do not carpet the whole scene with microscopic leaves or windows. The nearest basket and people are much larger than the far sail, producing a lively collectible composition. FACTS: distinguish genuine tea-growing Baisha and Wuzhishan/Shuiman from Haikou hospitality and Sanya/coastal scenery. Tea leaves are pointed camellia leaves. Palms and tropical flowers are secondary island scenery, not ingredients mixed into the tea. Keep the coast free of invented beachfront tea plantations. PRINTED WORDS: only the large region title specified above, exactly once. No small place labels, subtitles, extra names, Chinese writing, numbers, logos, seals, captions or pseudo-text anywhere. Buildings and vessels have no writing. The places described are the content of the drawing, not extra labels to print. Compose a memorable cohesive regional story with unequal anchors, connected local routes and a few clear transparent pauses. Do not create a grid, isolated framed stickers, two neat rows, or a repeating procession of identical teapots. Keep roofs, vessels, people, trees, hands and all letters complete, without any crop at an image border. Hands should be few, simple and anatomically clear; each vessel has one coherent rim. Finish as clean original artwork suitable for close inspection on high-quality pale ceramic. Preserve the required regional palette and genuine transparency; do not reproduce the white viewing surface of the style reference.