广西 — 茶叶沿河而行

Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: A SWEEPING REGIONAL JOURNEY. Follow GD03: energetic angular pen contours, bold slanted region lettering, selective directional hatching and three clear inks. Compose a shallow diagonal or S-shaped journey carried by a real regional movement motif. Bold near craft and people interlock with farther landmarks and terrain. Clean graphic edges, never watercolour, fuzzy labels or sticker scenes.
REGION: GUANGXI.
PALETTE: #423D65, #A17A28, #538A72. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Preserve Guangxi's map vocabulary: northeastern rounded karst peaks and the Li River raft, northern timber covered bridge and drum-tower silhouette, Hechi tea slopes, central Daming/Dayaoshan ridges, Wuzhou river junk and Cangwu gardens, southern palm and a small coastal lighthouse/boat. Tea anchors are the Liubao bamboo storage basket, Hengzhou jasmine scenting table, Lingyun downy sprig and Sanjiang tea picker. A modest Guiping temple-side table and Jinxiu forest tea provide secondary discoveries. Longji's wet terraces, if used, are rice, not tea. River transport and Beibu coast are trade/travel stories; do not grow tea on beaches or put jasmine flowers into every regional cup. Distinguish a small bamboo raft from a large cargo junk. Unnamed map lighthouse and architecture remain generic regional motifs, without invented monument names.
AUTHORED COMPOSITION:
A near Hechi/Sanjiang picker steps down from a tea slope at upper left. The movement curves under a timber bridge, past the large Hengzhou scenting tray and toward a Liubao packing hand beside a right-hand cargo junk. A Lingyun branch bends against the direction above the near bank; the far shoulder holds Guiping/Jinxiu roofs and a compact karst pair. Bold slanted GUANGXI follows the sweeping route, without intersecting the sail or hiding the tea hand. Open water is only a few strokes; no invented single river linking all towns. Three inks, sharp angular outlines and spare hatching provide momentum, not painterly atmosphere.
LETTERING PLAN:
GUANGXI once; supporting captions only LIUBAO, HENGZHOU, LINGYUN, SANJIANG, LI RIVER, WUZHOU.
REGIONAL SAFEGUARDS:
Liubao is dark tea; do not represent it only as Pu’er cakes or promise universal cave ageing. Jasmine scenting uses Camellia tea plus blossoms. Lingyun Baimao names leaf material, not an automatic white-tea category. Longji rice terraces are not tea fields. Golden camellia/oil-tea plants and medicinal infusions are not substitutes. No health claims, false ages or generic ethnic costume.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.