福建——从茶山到风帆

Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: A SWEEPING REGIONAL JOURNEY. Follow GD03: energetic angular pen contours, bold slanted region lettering, selective directional hatching and three clear inks. Compose a shallow diagonal or S-shaped journey carried by a real regional movement motif. Bold near craft and people interlock with farther landmarks and terrain. Clean graphic edges, never watercolour, fuzzy labels or sticker scenes.
REGION: FUJIAN.
PALETTE: #245D58, #AB653D, #829C49. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
The source map offers Wuyi cliff towers and lower tea gardens, northern white-tea slopes, Daiyunshan ridges, the Min River, Fuzhou waterside roofs, Sanming and Putian settlement details, a round Yongding tulou, Anxi terraces, Quanzhou coastal roofs, the Jiulong River, Xiamen and Zhangzhou harbours, stone arched bridges, sailing junks and coastal islets. Use these as regional visual facts, not a literal flattened map or named identification of anonymous buildings. Keep six substantial tea stories: Wuyi rock-oolong tray work; Fuding/Zhenghe open white-tea withering racks; Anxi cloth rolling and little rolled leaves; Fuzhou jasmine scenting table; Zhangping square cake mould; a small southern garden associated with Yongchun/Pinghe. Tulou is lived architecture, not a giant teapot. Tea chests and a junk support coastal trade, while the separate mountain gardens show cultivation. Ordinary roofs and footbridges link human scale to the much larger cliffs and courtyard. Show no tea fields on bare cliff summits or in the sea.
AUTHORED COMPOSITION:
A shallow S-shaped itinerary runs from sharply drawn Wuyi rocks at the upper left through a foreground porter carrying two tea baskets, across a stone-bridge arch, and into the broad sail of a coastal junk at the lower right. Give the porter and sail greater visual weight than distant farm roofs. At the S's inner curve a round tulou balances the angular rocks; a white-tea rack projects from one roof edge and an Anxi rolling bundle rests on a real low table beside the route. Fuzhou's jasmine scenting table belongs close to the water passage; the southern square Zhangping cakes sit at a packing bench near the sail. Thin open water strokes continue beyond the boat, never an opaque sea strip. FUJIAN is bold, slightly slanted and threaded through the upper-middle bend, with no large empty band beneath. Alternate directional hatching on cliffs with clear unfilled architecture, crisp leaves and broad flat accents. The rhythm should feel like an alert journey through tea places rather than a chart of decorative symbols.
LETTERING PLAN:
One bold slanted FUJIAN. Short captions WUYI, ANXI, FUZHOU, YONGDING, ZHANGPING, XIAMEN, six maximum. No decorative scripts, route numbers or false historic labels.
REGIONAL SAFEGUARDS:
Tea forms must differ: long rock-tea strips, white buds/leaves, rolled Anxi oolong and square Zhangping cakes. Jasmine is added during scenting of actual tea, not a medicinal herbal drink. Foshou is a tea name, not sliced Buddha's-hand citrus; Shuixian is not a narcissus-flower infusion. Keep Min and Jiulong as editorial river rhythms rather than one false hydrological channel. No mainland-wide landmark collage, no pagodas duplicated at every cluster, no exact-date or healing claims.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.