北京 — 茉莉与城市之手

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C1 — ENGRAVED TEA CONSTELLATION.
Two carefully separated spot inks. Organic engraved contours, selective small hatching and beautiful botanical structure, not grey photographic shading. A major tea subject anchors one side while smaller living stories nest into shared terraces, a riverbank or an architectural contour; these threads connect the illustration without enclosing it. A tall narrow serif regional title occupies a clear deliberate pocket. Vary foreground, middle distance and far silhouettes; avoid uniform line density and isolated circular vignettes.

REGION: BEIJING. EXACT PALETTE: #702A2D, #C58B36. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

A large merchant hand weighs loose jasmine-scented tea in a shallow pan balance at the foreground left; an open plain tea tin, paper packet and scoop are carefully drawn. A single symbolic jasmine sprig curves behind the scale, explicitly a supplied botanical ingredient rather than a local garden. Beyond, a Maliandao tasting counter and a Qianmen-style tea shop share a stepped wooden roofline. On the right two hutong neighbours drink from lidded bowls under a tree, with a small performance-teahouse stage and Laijin Yuxuan-like park pavilion farther behind. No decorative plantation or loose flowers floating in every cup.

REGIONAL TRUTH: Beijing is a tea-consumption, merchant and teahouse city rather than a plantation region. Maliandao is an established tea-trade district. Jasmine tea is central to its everyday tea identity, with long-established tea merchants around Qianmen/Dashilan and other city districts. Its tea and scenting flowers are supplied from southern producing regions; do not portray tea or jasmine plantations in Beijing. Lao She Teahouse links tea to performance, and Laijin Yuxuan is a documented historic park teahouse. Hutong tea tables are an interpretive everyday scene, not a claim that a particular fictional shop exists. Never stage tea growing on the Great Wall or identify Jinshanling as inside Beijing.

SPECIFIC COMPOSITION: The scale beam, roof edge and branch establish one quiet connected sweep. Merchant hand and shared tea table are unequal heroes; small stage and pavilion are discoveries, not separate badges. Reserve a tall serif title pocket above the low shop roofs. Fine hatching describes wood and metal only where needed; lettering stays crisp.

TEXT: Main title exactly "BEIJING". Secondary labels, each once and attached to its correct scene: Maliandao; Qianmen; Jasmine Tea; Laijin Yuxuan. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.