# 江西 — 沿江从叶到杯

江西 · JX_C6

一条有力的弧线将采茶、古桥、小船和制陶工作连接起来。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/JX_C6.png) · [精确 TXT](/assets/prompts/JX_C6.txt) · [浏览器档案](/zh/docs/designs/JX_C6.html) · [系列背景](/zh/docs/projects/C6.html)。

[区域研究与来源](/zh/docs/research/jiangxi.md)。

## 审核依据

重组为三个可读的工艺动作，由河流与桥连接。清晰的江西标题，茶叶处理与瓷器装饰区分明确，无变形的小标签，轮廓与剪影适合画廊展示。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#2F457B

#B57241

#759383

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`9ac4e00282f3609a3bee8b621ab0ede247599b0a6b86f3a7e1152c57d483fe0b`。

```text
Design one premium JIANGXI collectible travel-and-tea illustration. Flat printable wrap, native PNG RGBA 3840x1280, true transparent background. Keep the entire illustration safely within x80..3760 y120..1160. Use the reference only for energetic drawing style; every subject and title must belong to Jiangxi. No mug or scene mockup.

Use exactly three inks: deep indigo #2F457B, warm clay #B57241 and celadon #759383. An assertive hand-carved editorial illustration: broad confident contours, flat selected colours and clean fine hatch accents. Sharp architectural silhouettes, clear expressive people, sophisticated rhythmic composition. No grunge, grain, soft photographic textures, hazy mountain fill or dense microscopic stippling. Blank areas are transparent. The only text anywhere is JIANGXI, once in large vigorous leaning capitals above the central river. No small captions, numbers, signs, Chinese characters or pseudo-writing.

The story is one journey from growing leaf to porcelain cup. Three large unequal scenes connected by a sweeping river line and an old single-span stone bridge. At left, a Wuyuan tea picker leans diagonally into a row of lush but simply drawn Camellia sinensis, carrying a large wicker basket. White-wall, dark-roof village buildings are represented by a small clear cluster of three rooflines, not fifty tiny houses. At centre, two artisans roll green leaves on a low bamboo tray and spread darker Ninghong leaves on a separate broad drying tray. Behind them, one small cargo sailboat suggests Poyang Lake and tea distribution. On the right, a Jingdezhen potter decorates a large blue-and-white gaiwan at a broad workbench, beside a potter's wheel and a simple brick ceramic kiln. Make it unmistakably pottery production, not a tea-drying furnace. Show the beautiful empty space inside the bowl and the graceful hand applying its decoration.

A few meaningful supporting discoveries enrich this linked scene without clutter: one steep Lushan ridge and little pavilion above the river; a Fuliang leaf basket near the pottery table; Suichuan and Shangrao picking slopes at the left; one unusually pale new tea shoot suggesting Zixi/Jing'an; wooded southern hills suggesting Jinggangshan/Shangyou. The pale leaf represents a green tea cultivar, not automatically processed white tea. All regional references can be pictorial, without labels.

The river and bridge create motion through three big actions, not a strip of equal stickers. Tea basket, rolling tray and porcelain bowl are memorable hero shapes. Preserve open transparent intervals around their silhouettes and the skyline. Rich enough to discover details, simple enough to remain confident at 75mm high. No map outline, border, poster rectangle, white backing, paper, sky fill, mist or full-bleed background. Every rendered edge intentional and crisp.
```