# 福建——福建茶的十件事

福建 · FJ_C7

大型简洁物体，无细小标注：白叶、炒茶筐、方形茶、茉莉、土楼和帆。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/FJ_C7.png) · [精确 TXT](/assets/prompts/FJ_C7.txt) · [浏览器档案](/zh/docs/designs/FJ_C7.html) · [系列背景](/zh/docs/projects/C7.html)。

[C7：绘画方法和风格参考](/zh/docs/C7_METHOD_RU.md)。

[区域研究与来源](/zh/docs/research/fujian.md)。

## 事实依据与题材选择

大型简洁物体，无细小标注：白叶、炒茶筐、方形茶、茉莉、土楼和帆。

## 图名与图语

任务中只规定一个词——FUJIAN，用大号拉丁衬线字母。小地名、中文文本、数字和第三方标志均被排除。这是任务描述；实际可读性另行评估。

## 绘制方法与风格参考

研究了广州、澳门、香港和珠海城市主题的真实旅行杯照片。从中提取了观察到的图案特征：中等生动的手绘轮廓、简单可识别的剪影、选择性平面色彩点缀和顶部带状大标题。具体查看的角度组合因地区而异。

当地场景在尺度、形态和高度上各不相同。它们的并置形成整体节奏；不设定连续全景、统一地平线、相同模块网格或固定留白比例。轮廓之间与内部保持通透。

陶瓷表面、高光、手和照片中的物体背景不属于新绘图。参考图像和个人原始照片不在此发布。每个地区的三种颜色是作者调色板，而非所拍摄茶杯的实测涂料标准。

## 审核依据

大而简洁的轮廓，单个 FUJIAN；岩石、白茶盘、篮子、乌龙结、茉莉花、方形、土楼、采茶人和帆船均可辨认。符合旅游 C7，无伪文字。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#245D58

#AB653D

#829C49

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`dd8b6b2dccf40d164f433cb8a28f2027a355054fa79d5f9196c7b25de076fff9`。

```text
Create one original flat souvenir print, not a mug or mockup. Use the supplied successful C7 cup-illustration reference for scale and hand, not its subjects. PNG RGBA, 3840 x 1280 px, artwork inside x=60..3780 and y=110..1170; final print 3840 x 1152 px, 250 x 75 mm. Genuine transparent background and unfilled interiors. No white or cream panel, paper, shadow, fuzzy wash, gradient, background horizon or photographic ceramic. Crisp selective flat accents on actual objects, many open interiors. A broad organic arrangement across the strip, not a small central picture.
A SIMPLE HAND-DRAWN SOUVENIR ALBUM. Follow the supplied successful C7 reference for generous object scale, medium clean contours and selective flat colour. Use 5–7 px principal outlines at this master size, gently irregular; only 3–5 internal explanatory strokes per object. No dense weaving, tiny leaf carpets, stippling, crosshatching or painterly haze. Eight to ten unequal large groups fit around one another in a lively informal order, with open interiors. No badges, frames, equal grid or monumental continuous scenery. Only the large English region name is printed, once; no small captions.
REGION TITLE: FUJIAN. Only this text, exactly once. Large friendly upright hand-lettered capitals in a local opening, not a full-width banner.
PALETTE: #245D58, #AB653D, #829C49. First colour is the contour/title; the other two are selective flat accents, with no extra colour or white ink.
ORIGINAL COMPOSITION:
Draw TEN groups in a close but irregular souvenir rhythm. One: tall Wuyi cliffs with three simple tea-row curves on lower slopes, open rock interiors. Two: a large shallow Fuding/Zhenghe white-tea tray with only six visible buds/leaves and four rim marks. Three: a squat Wuyi roasting basket with just four weave strokes and five long twisted leaves. Four: an Anxi rolling cloth tied around a bundle, with five rolled oolong pellets beside it. Five: a bold jasmine sprig with three flowers beside a bare scenting tray containing four tea leaves; show a craft association, not a flower-only drink. Six: a wooden Zhangping square mould and three clearly SQUARE tea parcels, their paper edges indicated by one fold each. Seven: a large round Yongding tulou with a clear open courtyard and only a few doorway/window marks, never hundreds of windows. Eight: a little tea picker in a conical hat with one basket and two broad terrace lines. Nine: one gently arched stone bridge with two open water strokes. Ten: a sailing junk with three coastal roof shapes, a simple diagonal sail and no opaque sea. The tray, tulou, cliff and sail have varied large scales; smaller craft objects nest near them but remain distinct. Put FUJIAN in a comfortable upper-middle gap, and arrange the tall cliff and sail on different sides rather than making two aligned rows. Leave broad unfilled object interiors, use only a few crisp internal marks and selective flat accents. Preserve baskets, cloth, flowers, square parcels and architecture as different silhouettes. No generic green hill repeated behind each item.
REGIONAL FACTS AND LIMITS:
All tea comes from Camellia sinensis: broad leaves, buds and rolled or twisted processed forms. Wuyi rock tea and Anxi Tieguanyin are oolongs; Fuding/Zhenghe white tea uses withering; Fuzhou scents tea with jasmine flowers; Zhangping Shuixian uses small square cakes, not narcissus flowers. Yongding round tulou and coastal junks are regional architecture/travel motifs. River and cliff drawings are symbolic regional cues, not exact coordinates. No fruit added to Foshou, no tea bush on a bare rocky summit, no herbal-health claim. Preserve the different processed leaf shapes with only a few large leaves per tray. This is a selective souvenir illustration, not exhaustive coverage of every Fujian growing county.
FINISH: memorable large silhouettes, simple confident outside contours, few internal marks, restrained colour. Keep all required objects whole and all lettering readable. Do not fill trays with hundreds of miniature leaves. No small captions, numbers, signatures, logos, Chinese text or repeated extra words. Flat transparent artwork only.
```