# 安徽 — 庭院、桥与山松

安徽 · AH_C4

老桥后的茶院将大型建筑与山地版画连接起来。

## 已发布文件

250 × 75 毫米 · 3840 × 1152 像素 · RGBA · 390.144 / 390.144 ppi。

已审核可发布 · 已查看图画并对当前文件进行技术检查

[PNG](/assets/artwork/AH_C4.png) · [精确 TXT](/assets/prompts/AH_C4.txt) · [浏览器档案](/zh/docs/designs/AH_C4.html) · [系列背景](/zh/docs/projects/C4.html)。

[区域研究和来源](/zh/docs/research/anhui.md)。

## 审核依据

完整可读的 ANHUI；茶叶加工、徽州建筑、桥梁和山峦以清晰的构图连接。轮廓和细节干净，文字未损坏，大型元素适合条带。

PNG RGBA 3840 × 1152 像素；真实 alpha 通道；按比例导出 250 × 75 毫米。

经审阅后允许用于开放画廊；并不意味着用户认可工业化批量生产。

## 创作方案配色

#263B45

#A65336

#8FA98C

## 原始生成提示词

以下文本与已发布的 TXT 一致。任务中的标注、细节和调色板是作者的设计意图；这不是最终图像的 OCR。使用的参考图像不包含在 TXT 中。

SHA-256 TXT：`8890a651d86aeebd1808cf47dba4d65ba973c28a3cbf7caafdfc2e3d34185254`。

```text
Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: AN INTIMATE HAND-DRAWN ATLAS. Follow GD01: richly observed buildings, objects, plants and lived tea culture, in three inks. Draw disciplined collector engraving with beautiful changes of scale. A curved scenic backbone links two unequal hero stories; smaller details share the terrain. An elegant serif title belongs among roofs or ridges. No independent encyclopaedia panels.
REGION: ANHUI.
PALETTE: #263B45, #A65336, #8FA98C. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Use the map's distinctive regional vocabulary: granite Huangshan peaks with sculptural pines, white open Huizhou walls and dark horse-head gables, an old stone arch bridge, a high Jiuhua temple, broad Yangtze navigation with a single junk, Lake Chaohu and lower western Dabie hills. Tea provides the human foreground: a Lu'an firing basket, long Taiping Houkui leaves on a mesh press, delicate Maofeng sorting, Qimen black-tea rolling, and a Huoshan wrapped yellowing bundle. Add Xiuning and Jingxian work as smaller discoveries near appropriate southern roofs. The northern plains remain low and open, not a wall of plantations. A river vessel expresses trade and journey rather than proving a particular historic shipment. Leave water transparent, defined by banks and a few lines. White-walled architecture means unfilled alpha interiors with dark contours, not a large white printed rectangle.
AUTHORED COMPOSITION:
Make a stone bridge arch the left foreground hero: its clear alpha opening frames a tiny boat, with a Guapian basket on the near bank. To the right a Huizhou tea courtyard is the larger inhabited anchor, horse-head gables stepping above Qimen rolling and Houkui leaf work. Huangshan granite and one bent pine rise behind the courtyard; a tiny Jiuhua temple belongs to a separate distant ridge. The lane passes small Xiuning and Jingxian trays before opening to the Yangtze. Lake Chaohu appears only as a shallow northern outline, not another mountain lake. Fine disciplined engraving reveals roof structure and tea hands while leaving walls and water open.
LETTERING PLAN:
ANHUI once. Supporting text only HUANGSHAN, DABIE, QIMEN, HOUKUI, YANGTZE, JIUHUA; no other microtext.
REGIONAL SAFEGUARDS:
Keep Guapian bud-free and Houkui flat and long; Maofeng is a smaller tender shoot. Qimen black tea and Huoshan yellow tea are distinct processes. No monkeys picking Houkui, no health claims, no all-province plantation. Unnamed map bridges/pavilions stay generic local architecture. Huangshan and Dabie have different silhouettes. No claim that every village stands beside the same river.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.
```