Hunan — Чайный цилиндр и каменные башни

Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: A BOLD REGIONAL PARADE. Follow GD02: confident friendly pen contours, spare flat three-colour accents and large double-contour regional lettering. Build a lively procession of unequal silhouettes, tea activity, architecture and vessels. Let actual terrain and roof rhythms connect the drawings. This should be immediate and memorable, with clear positive and negative shapes, not intricate engraving.
REGION: HUNAN.
PALETTE: #56354C, #CF9233, #637E51. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Use Dongting's open water and low Junshan island, a river junk, Zhangjiajie's tall narrow sandstone pillars with pines, Shimen tea terraces, Anhua processing court, western timber stilt-house eaves, a short wooden stream bridge, Changsha riverfront roofs and lower southern Nanling ridges. The tangible tea anchors are a bamboo-wrapped Qianliang cylinder with maker, Junshan bud tray and yellowing cloth, a Guzhang/Baojing green-tea pan and a southern large tea sprig. Keep Yiyang Fuzhuan brick work small but distinct. Changsha includes serving/trading as well as nearby Jinjing gardens, not tea planted through the entire city. Scenic water does not become a blue printed field. The map's river geometry is stylised: use an editorial itinerary and never merge all four rivers into a false single waterway.
AUTHORED COMPOSITION:
Alternate a tall bamboo-wrapped tea cylinder at left, three narrow sandstone pillars behind a low picking slope, a broad green-tea pan at centre and a high Dongting sail at right. Two unequal timber roof groups and a small stream bridge connect the lower contour. A Junshan needle tray and cloth sit on a near real tabletop; do not scatter leaves as confetti. Double-outline HUNAN is generous above the low roofs, one tea leaf touching the final letter. Three flat inks and friendly clear contours give immediate impact. The worker and tea tools remain larger than the distant scenic pillars, avoiding a tourist skyline with token tea.
LETTERING PLAN:
HUNAN once; supporting captions only ANHUA, JUNSHAN, DONGTING, ZHANGJIAJIE, CHANGSHA, GUZHANG.
REGIONAL SAFEGUARDS:
Junshan is yellow tea; Baojing Huangjin is a green-tea story despite its name. Qianliang is compressed tea in a bamboo cylinder, not a drum; Fuzhuan fungi are not literal flowers and not universal to every dark tea. Vine tea is a different botanical infusion and is not used as Camellia tea here. No health claims, invented costume, false exact hydrography or tea gardens on sheer rock pillars.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.