Hainan — Чай под островными крышами

Create a new exceptional flat ceramic decal illustration. The supplied image is a reference for clear professional print drawing only; do not reuse its region, architecture, lettering or palette. This output is the artwork itself, never a mug or photograph. Native 3840 x 1280 RGBA PNG with transparent background. All complete drawn objects and all lettering must remain within x=100..3740 and y=120..1160. The final transparent canvas is 3840 x 1152 pixels at 250 x 75 mm. Use the width generously and keep normal proportions.

PRINT LANGUAGE: The image must look newly drawn with deliberate sharp graphic strokes, not like an aged or blurry reproduction. Clean edges, legible silhouettes, selective controlled internal marks. No soft brush, watercolor, noisy scanning, halftone fog, faded double contours or dirty pale halo. Antialias edges normally but keep the body of each ink stroke opaque. Empty areas between and inside forms have genuine alpha zero. No white painted background, cream paper, filled sky, solid sea panel, frame, shadow or simulated ceramic. All colour must belong to an identifiable object. Separate the near, middle and far forms by line weight and scale, not translucent mist.

REGION TITLE: HAINAN. PALETTE: deep sea teal #075B70, coral #C54D68, leaf green #61A477. Detailed three-colour hand-engraved regional atlas: fine decisive line, limited short hatching, readable close objects and architecture, not a dense painted texture.

A large tropical tea branch with exactly one bud and two full leaves rises near the left centre, behind a woman gently collecting leaf into a woven basket. At the far left, an arcaded Haikou street turns toward a shaded two-person tea table; draw its open arches clearly and only a few storefront bays. The lower middle is a Baisha tea workshop with one broad tea tray and a worker rolling leaf; tea rows behind it ascend toward the recognisable five rising peaks of Wuzhishan. At the right middle, a steeply thatched boat-shaped Li house and a small Shuiman tea garden share a winding footpath. Finish the far right with two palms, three rounded Sanya coastal rocks and one distant red sail, with water indicated by separated precise lines. A large upright serif HAINAN sits above the central branch-to-mountain opening. Scale the branch, collector and Haikou arches large; the distant coast is smaller. Architecture, leaf veins and basket weave have distinct clean stroke rhythms. The mountain ridge and footpath connect the picture without becoming a solid background.

FACTS: Baisha and Wuzhishan/Shuiman are tea-growing contexts; Haikou is a city and serving/trading context. Beach rocks and palms are travel motifs and must not grow tea plantations. Show real Camellia sinensis leaves, not coconut fronds as tea leaves. Local clothing is an illustrative cultural cue, not an asserted documentary costume reconstruction.

PRINTED WORDS: only the large region title specified above, exactly once. No small place labels, subtitles, extra names, Chinese writing, numbers, logos, seals, captions or pseudo-text anywhere. Buildings and vessels have no writing. The places described are the content of the drawing, not extra labels to print.

Compose a memorable cohesive regional story with unequal anchors, connected local routes and a few clear transparent pauses. Do not create a grid, isolated framed stickers, two neat rows, or a repeating procession of identical teapots. Keep roofs, vessels, people, trees, hands and all letters complete, without any crop at an image border. Hands should be few, simple and anatomically clear; each vessel has one coherent rim. Finish as clean original artwork suitable for close inspection on high-quality pale ceramic. Preserve the required regional palette and genuine transparency; do not reproduce the white viewing surface of the style reference.