Chongqing — От реки к чайному котлу

REVISED PRODUCTION PRIORITY: Render exceptionally clean sharp linework and crisp lettering, never a blurred imitation of the reference. Every outside edge and all empty openings must be truly transparent alpha zero. Absolutely no opaque white canvas. All complete objects must end at least 100 pixels before left/right borders and 120 pixels before top/bottom borders; do not crop the drawing. Use defined ink strokes with transparent gaps instead of fog, grey halos or soft shadows. Preserve the regional composition below. The supplied reference has a white viewing surface; this viewing surface is not part of the new output.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C6 — JOURNEY LINES.
Three-ink energetic angular drawing with bold slanted regional lettering, directional hatching and a dynamic diagonal or shallow S-shaped journey across the width. A near tea craft or hospitality action has dramatic scale; landmarks recede behind it. Regional movement gives the line a purpose. Strong recognisable silhouettes and intersecting depth planes, not scattered stamps, comic panels, scribble chaos or generic adventure badges. Keep angular energy legible and preserve clear transparent channels.

REGION: CHONGQING. EXACT PALETTE: #41343E, #DB633C, #3B928A. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

Start at the far-left Kuimen cliffs with a tiny boat moving out of a transparent gorge channel. A shallow S of river motion passes a compact stepped city and open bridge, then swings forward into a large Xiushan tea-firing pan at right. The maker's hand and the crescent of leaves describe the same controlled arc as the river. Behind the pan rise Nanchuan tea-tree branches; mid-left Yongchuan tea rows and a basket create the growing stage. Small Dazu relief forms and Youyang roof brackets appear as sharp cultural discoveries on the journey, with a close gaiwan on the last river step. The craft remains physically plausible: hands at the pan edge and dry leaves, no flames coming from tea cups.

REGIONAL TRUTH: Yongchuan Xiuya is a needle-shaped green tea. Banan Yinzhen, Xiushan Maojian and Fuling Baicha are documented regional tea names; do not infer white-tea processing merely from the name Baicha. Nanchuan has Dashucha trees and Jinfo Mountain tea traditions. Xiushan Maojian is made in the Wuling Mountains, including hand pan-firing. Show Chongqing as both a producing region and a city of gaiwan hospitality. Tea terraces belong to these rural districts, not to downtown towers. The Yangtze and Jialing confluence and local stepped riverside architecture identify the municipality. Do not depict Xiling Gorge or Badong as Chongqing sites.

SPECIFIC COMPOSITION: Strong oblique title sits over the central river bend. Use directional hatch only on cliffs, timber and the pan exterior; leave clear water and sky open. The huge near pan and distant boat form the scale surprise. Three inks divide stone/line, warm human accents and cool vegetation details without painting a continuous background.

TEXT: Main title exactly "CHONGQING". Secondary labels, each once and attached to its correct scene: Kuimen; Yongchuan Xiuya; Nanchuan; Xiushan Maojian. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.