# Shandong — Чай, гранит и ритуал

Шаньдун · SD_C4

Чайные склоны соединены с сильными каменными силуэтами Shandong.

## Опубликованный файл

250 × 75 мм · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Проверено для публикации · Просмотр рисунка и техническая проверка текущего файла

[PNG](/assets/artwork/SD_C4.png) · [точный TXT](/assets/prompts/SD_C4.txt) · [досье в браузере](/ru/docs/designs/SD_C4.html) · [контекст коллекции](/ru/docs/projects/C4.html).

[Региональное исследование и источники](/ru/docs/research/shandong.md).

## Основание проверки

Повторная попытка: SHANDONG и Yimeng читаются, прежний срез главных объектов устранён; дерево, сборщик, корзины и гора имеют завершённые силуэты. У Rizhao остаётся лёгкая печатная неровность, но слово читаемо; она не мешает региональному сюжету.

PNG RGBA 3840 × 1152 px; настоящий альфа-канал; пропорциональный экспорт 250 × 75 мм.

Допущен после просмотра для открытой галереи; не означает утверждение пользователем промышленного тиража.

## Палитра авторского задания

#244F67

#D08836

#819853

## Точное текстовое задание

Текст ниже совпадает с опубликованным TXT. Надписи, детали и палитра в задании — авторский замысел; это не OCR конечного изображения. Использованные изображения-референсы не включены в TXT.

SHA-256 TXT: `b979a5ae1b943afe46469201e67f0293c7e99943fbef9a8a9d07e6e3a061b242`.

```text
PRINT CALIBRATION — Create a completely NEW region-specific illustration, borrowing ONLY the line quality and composition intelligence from the reference. Do not copy the reference region, its title or its place names. Draw the region named below. Absolutely sharp, clean edges; no blur, smudging, cloudy shading or atmospheric washes. All letterforms exact. Keep every major object, title and letter entirely inside the canvas with a clear 80-pixel safety margin; no straight vertical cutoffs at the sides. RGBA with truly empty alpha between objects.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C4 — GARDEN COLLECTOR ATLAS.
Three-ink intimate collector drawing of tea, regional nature and architecture. Elegant hand contour with meaningful timber, foliage and stone details. Two hero scenes of unequal size are joined by a curved local scenic backbone, with smaller discoveries along it. Tall elegant serif regional title rests between roof or ridge silhouettes. This is a coherent cultural landscape with air through it, not a dense antiquarian engraving, souvenir icon grid, or flat stock travel poster.

REGION: SHANDONG. EXACT PALETTE: #244F67, #D08836, #819853. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

Left hero: a Laoshan tea farmer beside a leaf-sorting table under a sparse pine, with distinctive rounded coastal rock. Right hero: Taishan's rising stair and summit gate, shown smaller in human detail but taller in silhouette. Between them Qufu's dignified ceremonial gate opens to a tea-sharing bench. Low Rizhao fields and an inland Yimeng tea basket weave through the foreground; a Qingdao red-roof-and-lighthouse silhouette and a thin distant bridge complete the coast. Draw no invented Confucius portrait drinking tea.

REGIONAL TRUTH: Shandong's documented tea identities include Laoshan green tea around Qingdao, Rizhao green tea and the Yimeng tea area around Linyi. Wanggezhuang is a major Laoshan growing and processing locality; Rizhao has tea producers in Lanshan and Ju County. Junan, Yishui and Linshu are real parts of the Yimeng tea story. Show northern coastal cultivation in low hedges, leaf handling, processing and drinking, not tea bushes growing in seawater. Taishan and Qufu are cultural landmarks, not evidence for monastic tea estates. Do not claim that Laoshan is the only seaside tea or that all Shandong hills are planted with tea.

SPECIFIC COMPOSITION: A curved land-and-garden edge links the farmer, gateway and mountain stair. The bridge spans a clear opening rather than a filled sea. Serif title sits in the central saddle. Clean precise stone and timber outlines reward inspection, with minimal texture on far architecture.

TEXT: Main title exactly "SHANDONG". Secondary labels, each once and attached to its correct scene: Laoshan; Rizhao; Yimeng; Taishan; Qufu. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.
```