# Guangxi — Буквы пахнут жасмином

Гуанси · GX_C2

Слово GUANGXI переплетено с чайными корзинами, руками и цветами.

## Опубликованный файл

250 × 75 мм · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Проверено для публикации · Просмотр рисунка и техническая проверка текущего файла

[PNG](/assets/artwork/GX_C2.png) · [точный TXT](/assets/prompts/GX_C2.txt) · [досье в браузере](/ru/docs/designs/GX_C2.html) · [контекст коллекции](/ru/docs/projects/C2.html).

[Региональное исследование и источники](/ru/docs/research/guangxi.md).

## Основание проверки

Полное крупное GUANGXI окружено чисто нарисованными чайными сценами и узнаваемыми местными мотивами. Жасмин, Liubao и торговая лодка различимы; подписи читаемы, края сохранены.

PNG RGBA 3840 × 1152 px; настоящий альфа-канал; пропорциональный экспорт 250 × 75 мм.

Допущен после просмотра для открытой галереи; не означает утверждение пользователем промышленного тиража.

## Палитра авторского задания

#423D65

#A17A28

#538A72

#BD705B

#7FADC0

## Точное текстовое задание

Текст ниже совпадает с опубликованным TXT. Надписи, детали и палитра в задании — авторский замысел; это не OCR конечного изображения. Использованные изображения-референсы не включены в TXT.

SHA-256 TXT: `698d1d6e27a4131851c7872b3ce14c6a339a4eee2bd5b559814aea6e5f58e288`.

```text
Create an original collectible regional ceramic PRINTING DECAL, not a mug or mockup. The supplied image is a drawing/style benchmark only: replace every reference-region subject and word with the researched region described below. Make a confident, rewarding composition whose tea craft, architecture and landscape belong together.
OUTPUT: PNG RGBA, native 3840 x 1280 px. Keep every mark inside x=60..3780 and y=110..1170; use nearly the whole long strip. The final export is 3840 x 1152 px for 250 x 75 mm. Do not shrink the entire design to a central 16:9 picture. Preserve normal object proportions and complete edge objects.
ALPHA: genuine transparent exterior and natural transparent openings inside the drawing. No white or cream rectangle, paper texture, sky wash, sea fill, provincial silhouette, checkerboard, aura, gradient or drop shadow. Unpainted architecture, water and negative openings reveal alpha. Colour belongs to actual drawn objects, never a vague backdrop. Do not reproduce any opaque field visible in the reference.
For C1–C6, create ONE connected varied panorama with two or three unequal anchors, overlapping near/middle/far scales and smaller discoveries. Connect through real terrain, streets, roofs, branches and human actions, not dotted diagram routes. No two-row sticker sheet, isolated equal scenes, caption boxes, repetitive generic gardens or an empty band under the title. Do not impose a percentage of blank space. C7 instead follows its explicit irregular album direction below.
English lettering only, exact spelling, dark clear capitals for allowed captions. One main regional title. No Chinese characters, logos, invented seals, pseudo-writing, promotional superlatives or health claims. A short legible caption is preferable to microscopic text. Respect the stated distinctions between growing tea, processing it, trading it and serving it. A full research inventory need not become a printed gazetteer.

COLLECTION: A LIVING REGIONAL WORD. Follow the supplied GD22 reference: a monumental original serif region name interlocks with illustrated tea life. Make each letter instantly legible. Roofs tuck under terminals, branches overlap selected edges, people work at letter bases, and regional landforms flow between counters. Crisp decorative pen illustration and selective five-colour accents, never a painting pasted inside letters.
REGION: GUANGXI.
PALETTE: #423D65, #A17A28, #538A72, #BD705B, #7FADC0. Preserve this regional colour family; first colour supplies the strongest contour/text. Extra dark/light rendering colours and full-colour watercolour are not wanted.
RESEARCHED CONTENT:
Build the scene around three unmistakable tea worlds. Cangwu/Liubao: growing slopes, a maker turning dark tea and a large open bamboo storage basket. Wuzhou: covered storage shelves, basket packing and a river tea-trade boat; cultivation and trade are different scenes. Hengzhou: jasmine scenting with a shallow layer of real tea leaves and a separate handful of fresh blossoms, never a jasmine-only herbal infusion. Lingyun/Baise: a large downy tea shoot and nearby picking slope, not automatically white-tea processing. Zhaoping/Hezhou: a green-leaf sorting board plus a separate black-tea rolling gesture. Sanjiang/Liuzhou: early tea picking beneath low northern hills, near but not inside the timber covered bridge. Guiping/Xishan: a modest upland green-tea table under a small temple eave. Jinxiu/Dayaoshan: tea beside forested ridges, without invented ceremonial costume. Hechi: map-based tea gardens and a basket carrier. Longsheng/Longji: local large-leaf tea branch beside a small roof; do not label the famous flooded rice terraces as tea. Eleven places can use ten captions by pairing Wuzhou and Cangwu visually; large basket, jasmine tray and broad leaf remain the strongest anchors.
AUTHORED COMPOSITION:
Build GUANGXI as a large original serif word. G curves above a Lingyun sprig, U opens to a Hengzhou scenting tray, A rests beside a maker hand, N spans two Wuzhou storage eaves, and the final GXI interlocks with the large Liubao basket and an upright tea branch. Every letter stays exact and complete; no flower replaces a letter stroke. Smaller Sanjiang/Hechi and Zhaoping tea slopes rise behind selected terminals. Guiping tea table and Jinxiu forest picking occupy the lane at the bases. Jasmine blossoms touch only the scenting scene, not the whole panorama. Five crisp inks accent tools, leaves and roofs with open counters; no painted karst photograph inside the letters.
LETTERING PLAN:
GUANGXI once. Captions only LIUBAO, WUZHOU, HENGZHOU, LINGYUN, ZHAOPING, SANJIANG, GUIPING, JINXIU, HECHI, LONGSHENG. Cangwu growing sits with LIUBAO; no extra microscopic names.
REGIONAL SAFEGUARDS:
Liubao is dark tea; do not represent it only as Pu’er cakes or promise universal cave ageing. Jasmine scenting uses Camellia tea plus blossoms. Lingyun Baimao names leaf material, not an automatic white-tea category. Longji rice terraces are not tea fields. Golden camellia/oil-tea plants and medicinal infusions are not substitutes. No health claims, false ages or generic ethnic costume.
FINAL STANDARD: sharply drawn object edges, deliberate line hierarchy, vivid meaningful local differences and a recognisable whole place. Protect the main title and key silhouettes; never solve complexity by making everything equally tiny.
```