Hunan / HN_C7
Hunan — Ten Things of Hunan
Different tea forms and landscapes in a large simple travel illustration.
Checked for publication · Drawing review and technical check of the current file

C7: drawing method and real style references
Factual basis and choice of subjects
Different tea forms and landscapes in a large simple travel illustration.
Title and drawing language
The brief specifies only one word — HUNAN, in large serif Latin capitals. Small place names, Chinese text, numbers, and third-party logos are excluded. This is a description of the brief; actual legibility is assessed separately.
Narrative inventory of the original concept
Below are the planned groups from the English author's prompt, quoted verbatim. This is a transparent explanation of the choice of subjects, not a promise that the generator reproduced every detail.
1. A substantial Anhua tea maker tightening bamboo binding around one tall Qianliang tea cylinder at the left. Draw the entire cylinder, a clear woven casing, binding bands and purposeful hands. This is compressed tea packaging, not a musical drum.
2. A low Yiyang Fuzhuan tea brick and a hand setting a broken piece beside it. Give the cut face a few distinct leaf fragments. No literal flowers, crumbs or dense microtexture.
3. A broad shallow bamboo tray with an orderly handful of slender Junshan Yinzhen tea buds, beside a small drinking cup. The long individual buds must be crisp silhouettes, not blurred grass. Use ochre sparingly; the tray rim is a clean double line.
4. A Guzhang tea picker with a back basket reaches into two clearly outlined Camellia bushes. The visible hand plucks a tender shoot; keep the face simple, readable and fully inked.
5. Two unmistakable slender Zhangjiajie sandstone pillars with a few small pines crown the right side. Show angular vertical rock lines and open interiors, without atmospheric shading.
6. A western Hunan wooden house on tall visible stilts, with a projecting tiled roof and a short timber footbridge. Draw posts, rail and roof as purposeful complete pen strokes; no melting structure.
7. A small pavilion on Junshan island sits beside a single Dongting sailing boat. Connect them with three deliberate curved water strokes, leaving the lake transparent.
8. A larger botanical Rucheng tea shoot with broad leaves provides a bold near-view counterpoint to the tall cylinder. Distinct midribs, a few teeth and sparse edge marks suggest fine leaf hairs without fuzz.
Drawing method and style references
Photographs of real tourist mugs with city scenes of Guangzhou, Macau, Hong Kong and Zhuhai were studied. From them, observed drawing features were taken: medium lively hand outline, simple recognizable silhouettes, selective flat color accents and a large title in the upper band. The specific set of viewed angles varied by region.
Local scenes vary in scale, shape, and height. Their juxtaposition creates an overall rhythm; a continuous panorama, a shared horizon, a grid of identical modules, and a fixed percentage of empty space are not imposed. Transparency is preserved between and within outlines.
The ceramic surface, highlights, hands, and the object background of the photographs are not part of the new drawing. Reference images and personal source photos are not published here. The three colors of each region are the author's palette, not a measured paint standard of the photographed cup.
Review basis
The new variant with large scenes is clean: HUNAN is intact, the tea cylinder, brick, leaves, harvesting, and local architecture are distinguishable. Confident medium outline and flat three colors, without the previous muddiness.
PNG RGBA 3840 × 1152 px; real alpha channel; proportional export 250 × 75 mm.
Approved after review for the open gallery; does not imply the user's endorsement of industrial production.
Creative brief palette
#56354C
#CF9233
#637E51
Original generation prompt
Text matches the public TXT. The list of inscriptions and details describes the author's brief; this is not OCR and not a promise of reproducibility without the references used.
SHA-256: 9a55f8f12aa20b3ed4a2bb221fd0e94ed20abbd6d4a7dfed5c5773bd10c43c50
Read the full prompt
RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering. RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering. Draw a collectible HUNAN tourist-cup transfer. Follow the reference's confident pen contours and selective flat colour. Invent a Hunan composition: tall tea cylinders echo stone pillars, while a wide tray of delicate buds opens space between them. Tea craft and local architecture are the story. Deliver one 3840 x 1280 PNG with genuine RGBA transparency. All marks stay inside x60..3780 and y110..1170 for a 250 x 75 mm wrap. No mockup, paper, frame or backdrop. Unpainted spaces remain transparent, never white paint. Use plum #56354C outlines, ochre #CF9233 and olive #637E51 limited solid fills. No gradients or extra colours. Write only HUNAN, once, in large upright serif capitals across the upper middle. Make every letter complete and clearly separated. No other writing, place labels, Chinese, numbers, logos or tiny marks resembling text. Build eight large, different episodes in an irregular, lively rhythm: 1. A substantial Anhua tea maker tightening bamboo binding around one tall Qianliang tea cylinder at the left. Draw the entire cylinder, a clear woven casing, binding bands and purposeful hands. This is compressed tea packaging, not a musical drum. 2. A low Yiyang Fuzhuan tea brick and a hand setting a broken piece beside it. Give the cut face a few distinct leaf fragments. No literal flowers, crumbs or dense microtexture. 3. A broad shallow bamboo tray with an orderly handful of slender Junshan Yinzhen tea buds, beside a small drinking cup. The long individual buds must be crisp silhouettes, not blurred grass. Use ochre sparingly; the tray rim is a clean double line. 4. A Guzhang tea picker with a back basket reaches into two clearly outlined Camellia bushes. The visible hand plucks a tender shoot; keep the face simple, readable and fully inked. 5. Two unmistakable slender Zhangjiajie sandstone pillars with a few small pines crown the right side. Show angular vertical rock lines and open interiors, without atmospheric shading. 6. A western Hunan wooden house on tall visible stilts, with a projecting tiled roof and a short timber footbridge. Draw posts, rail and roof as purposeful complete pen strokes; no melting structure. 7. A small pavilion on Junshan island sits beside a single Dongting sailing boat. Connect them with three deliberate curved water strokes, leaving the lake transparent. 8. A larger botanical Rucheng tea shoot with broad leaves provides a bold near-view counterpoint to the tall cylinder. Distinct midribs, a few teeth and sparse edge marks suggest fine leaf hairs without fuzz. Make the cylinder and tray the main anchors. The wooden gallery joins smaller episodes; pillars and branch balance opposite ends. Vary scale and height, allow purposeful overlaps and keep breathing spaces. No equal rows, boxed icons or filler scenery. Use steady medium-width pen contours and clean hard-edged patches, with few interior strokes. Everything must read sharply at print scale. No watercolour, blur, smudges, feathering, low-opacity ghosts, mist, sky, smoke, shadows, grain or engraving. Preserve complete hands, roofs, baskets and letters within the safe area.