Heilongjiang — Tea Constellation

Draw HEILONGJIANG as one clean two-ink engraved illustration for a long ceramic wrap. Use the supplied reference only for its precise, confident printmaking line. Invent a new northern tea scene; never copy the reference region, plants or words. This is flat printable artwork, not a mug, mockup, photograph or painted panorama.

CANVAS: 3840 x 1280 pixels, PNG with real RGBA transparency. All marks must remain inside x=120..3720 and y=120..1160. The centered final crop is 3840 x 1152 for 250 x 75 mm. Exterior space and unmarked interiors must be genuinely transparent, not white pixels. No overall background, paper, opaque sky, glow, mist or silhouette-shaped backing. Use exactly two inks: deep ice blue #23465F for structure and rowan red #BC4551 for small flat accents. No extra white, black or grey ink. Fine antialiasing only at stroke edges.

THE SCENE: a northern tea merchant's open counter connects a large samovar on the left to an intimate tasting scene in the middle, then bends into a small timber cabin porch on the right. These three unequal forms make one continuous drawing through a shared counter edge, one curving riverbank line and a short roofline. Do not make a row of stickers or separate framed vignettes. The large samovar occupies roughly the left quarter: a clear domed lid, two handles, tap, stable base and a small brewing teapot above it. Two transparent glasses rest beneath its tap. Draw its metal with four or five hard contour reflections, never smeared shading.

At the middle counter, a tea seller pours imported loose leaf from a plain tin into a broad scoop for a seated customer holding one small cup. Give this action generous space and simple plausible hands. Two tied tea parcels sit under the counter. Behind the figures, draw only a small Harbin-inspired arched streetfront with one distant dome; reduce its masonry to a few chosen lines. It must not dominate the tea.

On the right porch, a seated traveller holds an open tea thermos and cup beside two larch trees. Below the porch a small berry twig and infusion glass form a separate botanical note. This is contemporary tea hospitality and imported-tea trade, not tea cultivation: no tea gardens in snow, no invented cultivar, medical claims or specific historic route. Keep forest berries distinct from loose-leaf tea. Omit the train, crowded skyline and masses of tiny vegetation.

LINE: sharp hand-engraved contours, mostly 5–7 px with only a few 3 px inner marks. Use short separated hatches only under the samovar base, beneath the counter and on one roof edge. Every tree is a readable trunk and a few branch marks. Transparent openings create snow, water and glass. No continuous tonal hatching, airbrush, watercolour, blurry texture, distressed stippling or foggy transitions.

TYPE: print HEILONGJIANG once, in crisp elegant condensed capitals above the central action. Keep the whole title separate from architecture. Add only two small clear captions: SAMOVAR beside the vessel and TEA TRADE beside the seller. No other words, Chinese, logos, signatures or pseudo-writing. The result must read immediately as a bold samovar-and-tea story, with quieter regional details.