# Zhejiang — Lakeshores and Sails

Zhejiang · ZJ_C5

Large parade of bridges, tea hands, and islands with a double-outlined name.

## Published file

250 × 75 mm · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Checked for publication · Drawing review and technical check of the current file

[PNG](/assets/artwork/ZJ_C5.png) · [exact TXT](/assets/prompts/ZJ_C5.txt) · [browser dossier](/en/docs/designs/ZJ_C5.html) · [collection context](/en/docs/projects/C5.html).

[Regional research and sources](/en/docs/research/zhejiang.md).

## Review basis

Fully revised Zhejiang C5 reviewed: clear large leaf roasting, tea stall, West Lake/bridge, mountains and sea scene. Crisp outline, whole ZHEJIANG, no erroneous small captions; transparency and rich cohesive composition preserved.

PNG RGBA 3840 × 1152 px; real alpha channel; proportional export 250 × 75 mm.

Approved after review for the open gallery; does not imply the user's endorsement of industrial production.

## Creative brief palette

#345C47

#688C9E

#9BA958

## Original generation prompt

The text below matches the published TXT. Inscriptions, details, and palette in the assignment are the author's intent; this is not OCR of the final image. Reference images used are not included in the TXT.

SHA-256 TXT: `ad0a201b12490f92b896e222965eb4b54fdd86eea1b85f7bcb5fa6f7a9e4ffb4`.

```text
Create a new exceptional flat ceramic decal illustration. The supplied image is a reference for clear professional print drawing only; do not reuse its region, architecture, lettering or palette. This output is the artwork itself, never a mug or photograph. Native 3840 x 1280 RGBA PNG with transparent background. All complete drawn objects and all lettering must remain within x=100..3740 and y=120..1160. The final transparent canvas is 3840 x 1152 pixels at 250 x 75 mm. Use the width generously and keep normal proportions.

PRINT LANGUAGE: The image must look newly drawn with deliberate sharp graphic strokes, not like an aged or blurry reproduction. Clean edges, legible silhouettes, selective controlled internal marks. No soft brush, watercolor, noisy scanning, halftone fog, faded double contours or dirty pale halo. Antialias edges normally but keep the body of each ink stroke opaque. Empty areas between and inside forms have genuine alpha zero. No white painted background, cream paper, filled sky, solid sea panel, frame, shadow or simulated ceramic. All colour must belong to an identifiable object. Separate the near, middle and far forms by line weight and scale, not translucent mist.

REGION TITLE: ZHEJIANG. PALETTE: forest jade #345C47, lake blue #688C9E, bamboo gold-green #9BA958. Use a confident rounded three-colour collector-mug drawing style: medium clean contours, a bold double-outline title and selective flat accents. No blurry engraving or distressed paint. Draw one connected river-and-tea procession with distinct scales.

Anchor the lower left with a large open Longjing pan and one well-drawn hand turning six broad flat leaves, with a shallow basket alongside. A compact Anji bamboo clump and three tea-row curves rise behind this tea craft; their slender verticals frame the left edge. Across the middle, a stone arch bridge carries the viewer over an open ribbon of Grand Canal water towards a West Lake pavilion and one small wooden boat. Put a Songyang tea trader at an open wooden counter with a simple balance and two leaf trays just right of centre; use large readable shapes, not hundreds of jars. Below that counter, folded Pingyang yellow-tea wrapping cloth and one cup create a quieter craft vignette. At the far right the contour rises into Yandang mountain peaks, then resolves into a small Zhoushan sailing junk and a distant modern bridge, drawn with sparse water strokes and no sea panel. The whole route curves naturally around large outlined ZHEJIANG in the upper middle. Keep the title close to the story, no empty banner strip. All buildings have open windows and simple observed silhouettes; the small boat is clearly smaller than the close tea pan.

FACTS: Longjing is a flattened green tea; Anji Baicha is green tea despite its name. Songyang can represent both local production and tea trading. Pingyang yellow tea is a distinct processing context. Canal, West Lake, Yandang and Zhoushan are regional cultural/geographic motifs; do not imply coastal bridges sit in tea plantations. Only the main title is visible, so these place names must not be rendered as captions.

PRINTED WORDS: only the large region title specified above, exactly once. No small place labels, subtitles, extra names, Chinese writing, numbers, logos, seals, captions or pseudo-text anywhere. Buildings and vessels have no writing. The places described are the content of the drawing, not extra labels to print.

Compose a memorable cohesive regional story with unequal anchors, connected local routes and a few clear transparent pauses. Do not create a grid, isolated framed stickers, two neat rows, or a repeating procession of identical teapots. Keep roofs, vessels, people, trees, hands and all letters complete, without any crop at an image border. Hands should be few, simple and anatomically clear; each vessel has one coherent rim. Finish as clean original artwork suitable for close inspection on high-quality pale ceramic. Preserve the required regional palette and genuine transparency; do not reproduce the white viewing surface of the style reference.
```