# Tibet — Parade of Landmarks

Tibet · XZ_C5

A confident outline procession: household vessels, a city tea house, southeastern farms and mountains.

## Published file

250 × 75 mm · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Checked for publication · Drawing review and technical check of the current file

[PNG](/assets/artwork/XZ_C5.png) · [exact TXT](/assets/prompts/XZ_C5.txt) · [dossier in browser](/en/docs/designs/XZ_C5.html) · [collection context](/en/docs/projects/C5.html).

[Regional research and sources](/en/docs/research/tibet.md).

## Review basis

Clear colourful landmark-and-tea parade with readable TIBET: butter-tea churn and yak at left, shared Lhasa table centrally, distinct humid southeast picking and rolling scenes at right. Contours, faces, vessels and leaves are clean; true alpha gaps and complete primary silhouettes. Secondary vegetation green expands the requested three-ink palette, recorded as an artistic variation rather than a technical defect.

PNG RGBA 3840 × 1152 px; real alpha channel; proportional export 250 × 75 mm.

Approved after review for the open gallery; does not imply the user's endorsement of industrial production.

## Creative brief palette

#24477D

#D6A135

#A34B43

## Original generation prompt

The text below matches the published TXT. Inscriptions, details, and palette in the assignment are the author's intent; this is not OCR of the final image. Reference images used are not included in the TXT.

SHA-256 TXT: `5f99f9ff29fcdddcba3aa297f54d9658794824556906584543cbb46b7b9824e9`.

```text
Create a fresh hand-drawn TIBET travel-and-tea illustration, delivered as transparent-background RGBA PNG. This is flat artwork for a ceramic printing decal, no mug or scene behind it. Native 3840 x 1280 pixels; keep all drawing inside x100..3740 and y130..1150 for a later 250 x 75 mm export. Unprinted space has no background pixels. Use only Himalayan blue #24477D, saffron #D6A135 and brick red #A34B43. Borrow the reference's clean line quality, never its region.

The style is a warm illustrated landmark parade: confident medium blue outlines, selective saffron and red flat shapes, simple readable faces, clear hands and beautiful vessel shapes. Linework stays sharp throughout. The single word TIBET appears large above the middle in friendly upright double-contour capitals. No other text.

Build three unequal connected scenes. On the left, a pastoral host operates a tall wooden butter-tea churn while a guest receives a bowl. A complete pack yak with two tea parcels stands beside a small tent. Behind them a compact stepped Potala silhouette and a little stupa introduce Tibetan cultural architecture.

In the centre, two friends chat over a low Lhasa sweet-tea table with a broad metal kettle and three bowls. Their gestures connect the large churn on one side to the fresh leaf basket on the other. The title rises into the open space above this lower table scene.

On the right, the largest foreground figure picks a clearly formed Camellia shoot into a shallow basket. A second person rolls leaves on a bamboo tray beneath a small processing shelter. Three separate low terrace curves, a blossom branch and a forested river gorge evoke the genuine humid southeastern tea districts Yigong/Bomi, Medog and Zayu. Keep these growing scenes distinct from the dry plateau at left. A small angular mountain and two simple lake lines are distant discoveries; no tea gardens on sacred alpine peaks.

Use a few shared ground contours and branches to join the scenes into one lively strip, while leaving spacious openings in water, sky and between objects. The design is colourful and rich through subject and rhythm, not a rectangular painted landscape. All figures and edge objects are complete. No scenic backdrop, paper texture, soft wash, haze, gradients, shadow, frame, extra captions or mockup.
```