# Fujian — Ten things of Fujian tea

Fujian · FJ_C7

Large simple objects without small captions: a white leaf, a roasting basket, square tea, jasmine, a tulou and a sail.

## Published file

250 × 75 mm · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Checked for publication · Drawing review and technical check of the current file

[PNG](/assets/artwork/FJ_C7.png) · [exact TXT](/assets/prompts/FJ_C7.txt) · [dossier in browser](/en/docs/designs/FJ_C7.html) · [collection context](/en/docs/projects/C7.html).

[C7: drawing method and style references](/en/docs/C7_METHOD_RU.md).

[Regional research and sources](/en/docs/research/fujian.md).

## Factual basis and choice of subjects

Large simple objects without small captions: a white leaf, a roasting basket, square tea, jasmine, a tulou and a sail.

## Title and drawing language

The assignment provides only one word — FUJIAN, in large Latin serif letters. Small toponyms, Chinese text, numbers, and third-party logos are excluded. This is a description of the assignment; actual legibility is assessed separately.

## Drawing method and style references

Photographs of real tourist mugs with city scenes of Guangzhou, Macau, Hong Kong and Zhuhai were studied. From them, observed drawing features were taken: medium lively hand outline, simple recognizable silhouettes, selective flat color accents and a large title in the upper band. The specific set of viewed angles varied by region.

Local scenes vary in scale, shape, and height. Their juxtaposition creates an overall rhythm; a continuous panorama, a shared horizon, a grid of identical modules, and a fixed percentage of empty space are not imposed. Transparency is preserved between and within outlines.

The ceramic surface, highlights, hands, and the object background of the photographs are not part of the new drawing. Reference images and personal source photos are not published here. The three colors of each region are the author's palette, not a measured paint standard of the photographed cup.

## Review basis

Large simple outline, one FUJIAN; rocks, white tea tray, basket, oolong knot, jasmine, square shape, tulou, picker and junk are distinguishable. Matches the tourist C7, without pseudo-script.

PNG RGBA 3840 × 1152 px; real alpha channel; proportional export 250 × 75 mm.

Approved after review for the open gallery; does not imply the user's endorsement of industrial production.

## Creative brief palette

#245D58

#AB653D

#829C49

## Original generation prompt

The text below matches the published TXT. Inscriptions, details, and palette in the assignment are the author's intent; this is not OCR of the final image. Reference images used are not included in the TXT.

SHA-256 TXT: `dd8b6b2dccf40d164f433cb8a28f2027a355054fa79d5f9196c7b25de076fff9`.

```text
Create one original flat souvenir print, not a mug or mockup. Use the supplied successful C7 cup-illustration reference for scale and hand, not its subjects. PNG RGBA, 3840 x 1280 px, artwork inside x=60..3780 and y=110..1170; final print 3840 x 1152 px, 250 x 75 mm. Genuine transparent background and unfilled interiors. No white or cream panel, paper, shadow, fuzzy wash, gradient, background horizon or photographic ceramic. Crisp selective flat accents on actual objects, many open interiors. A broad organic arrangement across the strip, not a small central picture.
A SIMPLE HAND-DRAWN SOUVENIR ALBUM. Follow the supplied successful C7 reference for generous object scale, medium clean contours and selective flat colour. Use 5–7 px principal outlines at this master size, gently irregular; only 3–5 internal explanatory strokes per object. No dense weaving, tiny leaf carpets, stippling, crosshatching or painterly haze. Eight to ten unequal large groups fit around one another in a lively informal order, with open interiors. No badges, frames, equal grid or monumental continuous scenery. Only the large English region name is printed, once; no small captions.
REGION TITLE: FUJIAN. Only this text, exactly once. Large friendly upright hand-lettered capitals in a local opening, not a full-width banner.
PALETTE: #245D58, #AB653D, #829C49. First colour is the contour/title; the other two are selective flat accents, with no extra colour or white ink.
ORIGINAL COMPOSITION:
Draw TEN groups in a close but irregular souvenir rhythm. One: tall Wuyi cliffs with three simple tea-row curves on lower slopes, open rock interiors. Two: a large shallow Fuding/Zhenghe white-tea tray with only six visible buds/leaves and four rim marks. Three: a squat Wuyi roasting basket with just four weave strokes and five long twisted leaves. Four: an Anxi rolling cloth tied around a bundle, with five rolled oolong pellets beside it. Five: a bold jasmine sprig with three flowers beside a bare scenting tray containing four tea leaves; show a craft association, not a flower-only drink. Six: a wooden Zhangping square mould and three clearly SQUARE tea parcels, their paper edges indicated by one fold each. Seven: a large round Yongding tulou with a clear open courtyard and only a few doorway/window marks, never hundreds of windows. Eight: a little tea picker in a conical hat with one basket and two broad terrace lines. Nine: one gently arched stone bridge with two open water strokes. Ten: a sailing junk with three coastal roof shapes, a simple diagonal sail and no opaque sea. The tray, tulou, cliff and sail have varied large scales; smaller craft objects nest near them but remain distinct. Put FUJIAN in a comfortable upper-middle gap, and arrange the tall cliff and sail on different sides rather than making two aligned rows. Leave broad unfilled object interiors, use only a few crisp internal marks and selective flat accents. Preserve baskets, cloth, flowers, square parcels and architecture as different silhouettes. No generic green hill repeated behind each item.
REGIONAL FACTS AND LIMITS:
All tea comes from Camellia sinensis: broad leaves, buds and rolled or twisted processed forms. Wuyi rock tea and Anxi Tieguanyin are oolongs; Fuding/Zhenghe white tea uses withering; Fuzhou scents tea with jasmine flowers; Zhangping Shuixian uses small square cakes, not narcissus flowers. Yongding round tulou and coastal junks are regional architecture/travel motifs. River and cliff drawings are symbolic regional cues, not exact coordinates. No fruit added to Foshou, no tea bush on a bare rocky summit, no herbal-health claim. Preserve the different processed leaf shapes with only a few large leaves per tray. This is a selective souvenir illustration, not exhaustive coverage of every Fujian growing county.
FINISH: memorable large silhouettes, simple confident outside contours, few internal marks, restrained colour. Keep all required objects whole and all lettering readable. Do not fill trays with hundreds of miniature leaves. No small captions, numbers, signatures, logos, Chinese text or repeated extra words. Flat transparent artwork only.
```