# Chongqing — Five tea currents

Chongqing · CQ_C3

The path from rural tea slopes to the city cup through the river system.

## Published file

250 × 75 mm · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Checked for publication · Drawing review and technical check of the current file

[PNG](/assets/artwork/CQ_C3.png) · [exact TXT](/assets/prompts/CQ_C3.txt) · [dossier in browser](/en/docs/designs/CQ_C3.html) · [collection context](/en/docs/projects/C3.html).

[Regional research and sources](/en/docs/research/chongqing.md).

## Review basis

Third version reviewed: clean outlines, all five district captions legible, central tea service and side processing connected by rivers. The corrupted Nanchuan is removed; CHONGQING is intact.

PNG RGBA 3840 × 1152 px; real alpha channel; proportional export 250 × 75 mm.

Approved after review for the open gallery; does not imply the user's endorsement of industrial production.

## Creative brief palette

#41343E

#DB633C

#3B928A

#AC963F

#C6958A

## Original generation prompt

The text below matches the published TXT. Inscriptions, details, and palette in the assignment are the author's intent; this is not OCR of the final image. Reference images used are not included in the TXT.

SHA-256 TXT: `843a5c2f3297d87cbe622d548b6c63ae861ef9b187a296b189bfd361f5fd9775`.

```text
DRAWING CALIBRATION: The supplied clean example shows the required crisp professional print finish; borrow its line clarity and art direction only, replace its entire regional subject matter with the region specified below. All forms use deliberate sharp edges and clear internal strokes. No fog, painterly smearing, wobbly double text or background colour fields. Transparent alpha is mandatory, including outside and between objects. Do not paint the example white viewing surface. Keep all letters and complete objects 120 px inside every native edge.

REVISED PRODUCTION PRIORITY: Render exceptionally clean sharp linework and crisp lettering, never a blurred imitation of the reference. Every outside edge and all empty openings must be truly transparent alpha zero. Absolutely no opaque white canvas. All complete objects must end at least 100 pixels before left/right borders and 120 pixels before top/bottom borders; do not crop the drawing. Use defined ink strokes with transparent gaps instead of fog, grey halos or soft shadows. Preserve the regional composition below. The supplied reference has a white viewing surface; this viewing surface is not part of the new output.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C3 — LIVING TEA TERRITORY.
Five-colour illustrated tea territory, richly connected with a real regional river, ridge, street or courtyard procession as its organising spine. One large near tea action, a substantial counterweight and smaller midground scenes form three depths. Neighbouring episodes share real ground contours or architectural parts; there is no two-row grid or detached sticker arrangement. Strong condensed regional title fits the lower rhythm without acting as an opaque footer. Warm human storytelling, controlled decorative detail and selective flat accents.

REGION: CHONGQING. EXACT PALETTE: #41343E, #DB633C, #3B928A, #AC963F, #C6958A. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

Compose a living tea territory around two clear river branches meeting off-centre. The front right is a close shared wooden tea table where a host tilts a gaiwan correctly over a small serving pitcher and two guests listen. Upstream left are Yongchuan curved tea rows and selective picking; a Banan tray of fine needle leaves lies on a lower bank; Nanchuan old tea trees rise behind a small rural workshop; Fuling tea shrubs sit along an eastern terrace; Xiushan hand pan-firing occupies the far-right foothill workshop. A narrow silhouette of mountain-city houses and a bridge serves as the meeting place, not the dominant tourist attraction. Give each craft a distinct readable gesture.

REGIONAL TRUTH: Yongchuan Xiuya is a needle-shaped green tea. Banan Yinzhen, Xiushan Maojian and Fuling Baicha are documented regional tea names; do not infer white-tea processing merely from the name Baicha. Nanchuan has Dashucha trees and Jinfo Mountain tea traditions. Xiushan Maojian is made in the Wuling Mountains, including hand pan-firing. Show Chongqing as both a producing region and a city of gaiwan hospitality. Tea terraces belong to these rural districts, not to downtown towers. The Yangtze and Jialing confluence and local stepped riverside architecture identify the municipality. Do not depict Xiling Gorge or Badong as Chongqing sites.

SPECIFIC COMPOSITION: A branching transparent confluence joins the five origins to the large hospitality foreground. Use terraces, workshop eaves and river steps as shared edges so scenes do not float. The lower title follows the bend beneath the main table without becoming a panel. Half-close encounters and distant mountains create depth; retain empty spaces below the bridge and between table legs.

TEXT: Main title exactly "CHONGQING". Secondary labels, each once and attached to its correct scene: Yongchuan; Banan; Nanchuan; Fuling; Xiushan. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.
```