# Anhui — Ten Things of Anhui

Anhui · AH_C7

Simple collectible graphic with large tea tools and Huizhou houses.

## Published file

250 × 75 mm · 3840 × 1152 px · RGBA · 390.144 / 390.144 ppi.

Checked for publication · Drawing review and technical check of the current file

[PNG](/assets/artwork/AH_C7.png) · [exact TXT](/assets/prompts/AH_C7.txt) · [dossier in browser](/en/docs/designs/AH_C7.html) · [collection context](/en/docs/projects/C7.html).

[C7: drawing method and style references](/en/docs/C7_METHOD_RU.md).

[Regional research and sources](/en/docs/research/anhui.md).

## Factual basis and choice of subjects

Simple collectible graphic with large tea tools and Huizhou houses.

## Title and drawing language

The assignment provides for only one word — ANHUI, in large Latin serif letters. Small place names, Chinese text, numbers and third-party logos are excluded. This is a description of the assignment; actual legibility is assessed separately.

## Narrative inventory of the original concept

Below are the planned groups from the English author's prompt, quoted verbatim. This is a transparent explanation of the choice of subjects, not a promise that the generator reproduced every detail.

1. At the left, two angular Huangshan granite pinnacles and one crooked horizontal pine. Use a few decisive rock lines, clearly outlined needles and flat accents; leave the rock interiors open.

2. Below and partly beside the pine, two Huizhou houses with characteristic stepped horse-head gables, black-tile roof contours and one open doorway. Architecture must be fully drawn, not dissolving at the bottom.

3. A generous old stone arch bridge carries the eye through the middle; under its arch, one small river junk with a clay-coloured sail and three crisp water curves. Preserve the whole bridge silhouette.

4. A modest Jiuhua mountain temple roof on a small rocky knoll balances the far right. Distinct roof corners, steps and a few sage shrubs; no distant haze.

5. In the lower left foreground, a craftsperson carefully lays long flat Taiping Houkui tea leaves in parallel on a large rectangular bamboo tray. Clear hands, sleeve, leaf shapes and tray rim.

6. A large hand holding one elongated Lu'an Guapian leaf creates a clean vertical counterpoint near the title's left end. Show separate leaf blades without a bud, not a flower bouquet.

7. Right of the bridge, a seated Qimen tea maker sorts small curled dark tea leaves in a broad round bamboo sieve. Make the figure and complete basket a strong readable scene.

8. Below the title toward the right, a small teapot and two drinking cups form a quiet tea-service group, with one simple outlined leaf beside them.

## Drawing method and style references

Photographs of real tourist mugs with city scenes of Guangzhou, Macau, Hong Kong and Zhuhai were studied. From them, observed drawing features were taken: medium lively hand outline, simple recognizable silhouettes, selective flat color accents and a large title in the upper band. The specific set of viewed angles varied by region.

Local scenes vary in scale, shape, and height. Their juxtaposition creates an overall rhythm; a continuous panorama, a shared horizon, a grid of identical modules, and a fixed percentage of empty space are not imposed. Transparency is preserved between and within outlines.

The ceramic surface, highlights, hands, and the object background of the photographs are not part of the new drawing. Reference images and personal source photos are not published here. The three colors of each region are the author's palette, not a measured paint standard of the photographed cup.

## Review basis

The new composition is clean: confident central outline, even flat fills, full ANHUI. Houkui, single leaf, sorting, tea drinking and local architecture are distinguishable; previous muddy halos are eliminated.

PNG RGBA 3840 × 1152 px; real alpha channel; proportional export 250 × 75 mm.

Approved after review for the open gallery; does not imply the user's endorsement of industrial production.

## Creative brief palette

#263B45

#A65336

#8FA98C

## Original generation prompt

The text below matches the published TXT. Inscriptions, details, and palette in the assignment are the author's intent; this is not OCR of the final image. Reference images used are not included in the TXT.

SHA-256 TXT: `ff7669a122c948cc11c4e6ad82c1fc6a4e62a76e1b552456687df57fe8eaba09`.

```text
Create a premium souvenir-cup transfer for ANHUI, China. Follow the reference's lively, confident tourist-cup pen drawing. Make a new composition with tea craft as important as architecture, printed in three flat inks.

Output one 3840 x 1280 PNG with real RGBA transparency. Keep all marks inside x60..3780 and y110..1170 for a 250 x 75 mm wrap. No product mockup, frame, paper or rectangular background. Empty spaces and unpainted interiors are transparent, never white. Use dark slate #263B45 outlines, burnt clay #A65336 and sage #8FA98C selective flat fills. No gradients or fourth colour.

The only lettering is ANHUI, written once in large, beautifully balanced upright serif capitals across the upper middle. Keep the complete word unobstructed and comfortably away from all edges. No other letters, place labels, Chinese, numbers, signatures or logos.

Draw exactly eight substantial, recognisable episodes, varied in scale and joined by visual rhythm rather than a grid:
1. At the left, two angular Huangshan granite pinnacles and one crooked horizontal pine. Use a few decisive rock lines, clearly outlined needles and flat accents; leave the rock interiors open.
2. Below and partly beside the pine, two Huizhou houses with characteristic stepped horse-head gables, black-tile roof contours and one open doorway. Architecture must be fully drawn, not dissolving at the bottom.
3. A generous old stone arch bridge carries the eye through the middle; under its arch, one small river junk with a clay-coloured sail and three crisp water curves. Preserve the whole bridge silhouette.
4. A modest Jiuhua mountain temple roof on a small rocky knoll balances the far right. Distinct roof corners, steps and a few sage shrubs; no distant haze.
5. In the lower left foreground, a craftsperson carefully lays long flat Taiping Houkui tea leaves in parallel on a large rectangular bamboo tray. Clear hands, sleeve, leaf shapes and tray rim.
6. A large hand holding one elongated Lu'an Guapian leaf creates a clean vertical counterpoint near the title's left end. Show separate leaf blades without a bud, not a flower bouquet.
7. Right of the bridge, a seated Qimen tea maker sorts small curled dark tea leaves in a broad round bamboo sieve. Make the figure and complete basket a strong readable scene.
8. Below the title toward the right, a small teapot and two drinking cups form a quiet tea-service group, with one simple outlined leaf beside them.

Give the bridge and Houkui tray more weight than the temple. Let selected roofs, branches and basket edges overlap naturally. Preserve transparent breathing spaces between episodes and inside architecture. No uniform rows, equal-sized icons or filler objects.

Use clean medium-width pen contours, steady edges, few interior strokes and restrained solid patches. All objects must remain sharp at print scale. No watery edges, charcoal, blurred ink, ghost marks, shadows, feathering, clouds, sky, smoke, mist, grain, engraving or crosshatching. Keep every word, limb, roof, tray and mountain fully inside the safe bounds.
```