Тайвань — большой островной парад

STEP 1 — original generation

Create a collector-quality TAIWAN ceramic decal using the ONE attached Guangdong illustration as the exact DRAWING-STYLE reference. Replace its subjects and names with Taiwan. Prioritise the specified graphic language, ink palette, clear captions and real tea processes. Not oil paint, watercolor, photograph or 3D landscape.

Native PNG RGBA 3840x1280, quality max; complete marks inside x60..3780/y95..1185, almost full width, undistorted. Final export 3840x1152/250x75mm. Genuine alpha-zero exterior and natural interior openings. No paper/sky/sea rectangle, opaque white backing, fog, halo, checkerboard or mockup.

Compose one rich interconnected graphic world with a dominant event, unequal counterweights and smaller discoveries. Use meaningful ridge/roof/work-surface/branch contours, varied scale and selected overlaps. No equal icon grid, two uniform rows, independent stickers or painted scenic backdrop. Preserve two or three calm interior apertures. Required captions sit beside their subjects in dark upright English capitals, in planned contour breaks, never white boxes. TAIWAN exactly once, fully legible and integrated. No Chinese, fake writing, slogans, dates or logos. No Guangdong subjects. Different teas retain distinct leaf forms; Ruby18 belongs to Yuchi, honey scent is not added honey, bare summits are not tea farms.

STYLE C5 / GD02: A BOLD FRIENDLY THREE-INK REGIONAL PARADE. Match the reference's rounded confident pen turns, broad readable colour shapes and double-contour regional lettering. Preserve the original hand-drawn character; not vector clip-art from an icon library, not painterly realism. EXACTLY THREE INKS: deep PLUM #4F325E, mountain JADE #2B8775, muted tea-bud yellow-green #A7AF62. Plum is the thick structural contour, main type and selected dark masses. Jade and yellow-green create substantial positive shapes in fields, sail, roofs, baskets and clothes. Do not merely add a thin coloured outline to otherwise empty drawings. No gradients, fuzzy hatching, extra natural greens, black or opaque white.

TAIWAN is large rounded DOUBLE-OUTLINE lettering in the upper-middle body of the illustration, with true transparent channels in its contours. Make the letters unmistakable, a single word. Each letter's outline remains graphic and unpainted inside where intended; no landscape photograph filling the word. Nearby leaves and roofs approach and partially overlap minor exterior edges, never blocking a letter. The title and surrounding people, land and vessels feel cut from the same confident drawing.

Build a lively procession using broad real shapes: a generous foreground tea slope with two workers at left; the tall segmented Taipei101; lower Maokong/Hsinchu roofs; the sharp Lishan ridgeline; a central large round Dong Ding roasting basket; a lake curve that swings into the Alishan train and tea; then a powerful right-hand sail and low harbour roofs. Heights and scales vary dramatically. The basket circle balances the tower and mountains. A cultivated curve becomes the edge of a courtyard, and a roof silhouette continues into ridge or branch. These shared contours and overlaps create one picture, not twelve adjacent symbols.

Simplify detail intelligently: a few broad veins distinguish a long leaf from a rolled pellet; two hands explain roasting; the train has legible wheels and front; the pagoda has definite tiers. Use bold silhouettes for distant Yushan and tiny Penghu shapes. Water remains two or three sparse flowing strokes with genuine transparency between. Each scene has multiple meaningful parts despite its clear shapes. A bare mountain should stay a clean graphic accent, not trigger a photorealistic mountain range. Reserve caption apertures as part of the silhouette design.

REGIONAL EPISODES TO WEAVE INTO THE DRAWING. These twelve narrative moments may overlap and share contours; they are not twelve boxes. Tea is carried by people, crop forms and tools throughout the travel illustration.
1. A close PINGLIN northern harvest: two different gestures, a broad tray of long Baozhong and a carrying basket among curved tea rows.
2. TAIPEI: correctly segmented Taipei101 with one spire, lower city roofs and a street-level tea table.
3. MAOKONG: tea-house eave, charcoal-roasting basket for Tieguanyin, tiny cable-car cabin supported by a real short cable.
4. HSINCHU: Hakka courtyard roof, tea shoot with one small leafhopper, tray of long white-tipped Oriental Beauty.
5. LISHAN: sharper ridge, cultivated lower slopes, bare high summit and tightly rolled oolong on a small tasting shelf.
6. DONG DING: hands at a round bamboo roasting basket, low stand and plain workshop roof. Leaves are rolled, not long Baozhong.
7. SUN MOON LAKE: a tiered shore pagoda, two broken shore contours with transparent water between; cup and long Yuchi black-tea leaves nearby.
8. ALISHAN: tea picker, curved tea rows and cypresses; a miniature locomotive follows a short forest-edge track, not through cultivated bushes.
9. Yushan: a clear uncultivated bare summit forming part of the far mountain spine. No altitude claim or tea on its top.
10. Eastern valley/coast: distant Hualien cliff contour and inland Ruisui long black-tea leaves, plus lower Luye Red Oolong craft. Do not grow inland tea on the ocean cliff or merge different tea forms.
11. Southern harbour: modest Tainan/Kaohsiung roofline, plain cargo chest, working person and believable batten-sail junk. No invented named monument or brand logo.
12. Penghu: a few angular low islets and a tiny second sail within broken sea strokes. No solid blue ocean fill.

A small Keelung harbour cue, Taichung tea-merchant table and broad Nantou landform may enrich shared architecture; do not increase caption count for each discovery. This is an unfolded north-to-south travel illustration, not a surveyed island map. Multiple periods and scales may meet through a visual rhyme, never a claim they stand on one actual street.

PRINTED PLACE CAPTIONS: PINGLIN; TAIPEI; MAOKONG; HSINCHU; LISHAN; DONG DING; SUN MOON LAKE; ALISHAN; YUSHAN; HUALIEN / LUYE; KAOHSIUNG; PENGHU. Upright dark plum capitals, around 40 pixels high, comfortably spaced, two lines if needed. These labels belong near their actual scenes inside the uneven composition rhythm; not on a repeated baseline and not in boxes. No Chinese or microtext. The paired Hualien/Luye caption identifies two adjacent regional impressions, not one tea farm on an ocean cliff.

Final reading: one joyous mature graphic Taiwan, twelve recognisable travel/tea moments, a bold double-outline word and three unmistakable ink colours. Close attention reveals tea knowledge; simple forms do not mean empty generic scenery. This family should look conspicuously bolder and simpler than the engraved C1/C4, while retaining rich connected storytelling and true transparent openings.

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STEP 2 — targeted edit of preceding image

Repair the attached TAIWAN bold-line collector illustration. Preserve its joyful three-ink outline character, double-outline TAIWAN title, real tea work, Taipei101, Maokong roof/cable cars, landscapes, boats and tea scenes. Keep plum #4F325E as the outline ink, jade #2B8775 and tea-bud #A7AF62 as flat accents. This is a graphic decal, not a photo or watercolor.
The painted grey-white checkerboard is an error. REMOVE it everywhere and replace it with ACTUAL alpha-zero transparency: outside illustration, between branches and strokes, behind names, inside rivers and letter counters. No white paper, no simulated checkerboard or transparent-looking grid. Keep crisp strong printed strokes, no pale edge halos. Native output PNG RGBA3840x1280, background transparent, all art whole inside x60..3780/y95..1185.
Improve connected composition without losing the original bold silhouettes: bring the lower Yushan/valley/Kaohsiung landscape upward to interlock with the central Lishan/Dong Ding slopes at two clear foothill junctions, and let a shared river opening pass from the highlands to the harbour. Eliminate the empty horizontal divider that makes two separate rows; vary the foreground scale and create one lively, shallow island-world. Do not close every transparent gap; let mountain openings, courtyards, title counters and the river breathe naturally.
Retain correct readable main TAIWAN once and these existing English local names, each beside its content: PINGLIN, TAIPEI, MAOKONG, HSINCHU, LISHAN, DONG DING, SUN MOON LAKE, ALISHAN, YUSHAN, HUALIEN / LUYE, KAOHSIUNG, PENGHU. Dark plum upright lettering with comfortable spacing. Tea cultivation must stay below bare peaks; none on the Yushan summit. Hsinchu shoot includes one tiny leafhopper, Dong Ding has hands rolling/roasting oolong, Hualien/Luye keeps visible tea-work cues beside the lower valley. Do not swap all leaves for identical generic dots. Preserve simple strong drawing and varied local detail. The final is a connected transparent regional ink illustration without any printed grid.