Design an original spectacular tea-region wrap for ZHEJIANG. A grand typographic landscape: huge distinguished upright serif letters become the central architecture around which a few large, beautifully drawn tea scenes unfold. Preserve the supplied reference's clean collectible print character, but create a completely new Zhejiang composition. Do not copy its region, landmarks or words. Flat artwork only, no mug or mockup.

Native PNG RGBA, 3840 x 1280 pixels, final use 250 x 75 mm at 3840 x 1152 pixels. Keep every shape and letter inside x=100..3740 and y=130..1150. Real alpha-zero background and gaps through the illustration. No white panel, coloured rectangle, parchment, mist, smoky shadow, watercolour, photographic texture or checkerboard. Use five precise ink colours: deep tea green #345C47, porcelain blue #688C9E, olive #9BA958, copper #C48C61, muted orchid #A47890. Crisp continuous outlines and purposeful flat colour areas; only sparse small hatch marks. Faces, hands, basket rims and leaves must be sharply legible, never smeared or filled with granular noise.

The word ZHEJIANG is the hero, spelled perfectly once, occupying a generous central band. Eight large complete letters, elegant proportions, strong counterspaces and a balanced five-colour rhythm. All letter outlines remain readable. Tea objects may overlap the foot of a few letters, but never conceal their identity. No additional headline. Only three small English captions are allowed: LONGJING, ANJI, SONGYANG. No other text, Chinese signs, numbers, logos or fake calligraphy.

Organize the picture into THREE generous interacting tea worlds with quieter local discoveries around them:

LEFT: a large Longjing maker at a broad open roasting wok, one hand carefully moving slender flattened green leaves with the other resting naturally at the rim. Show a meaningful handful of separate leaf shapes, not a carpet of microscopic foliage. One shallow bamboo basket of finished leaves sits beside the wok. Behind the maker, a low tea ridge and a compact Jingshan-style temple roof anchor the local world. Add one stone arch by an open lake contour as a small West Lake echo. Caption LONGJING only.

CENTRE/TOP: above and between the middle letters, an Anji tea picker holds a single pale green shoot next to a tall articulated bamboo stem. Pale colour belongs to the leaf, not to white ink or a medical claim. A few separated Kaihua-type slender shoots and a coiled Wuyi leaf sample on a small open tray provide two additional tea discoveries. The hillside uses three clear terrace curves with sparse distinct bushes, not thousands of tiny marks. Caption ANJI only.

RIGHT: a substantial Songyang tea-market counter with a merchant, two open bamboo trays, a simple balance and three bundled tea parcels. Give the merchant a clear face and coherent hands. A small She-style timber roof suggests Jingning; a distant island pavilion and a tiny sailboat evoke Putuo. Xinchang and Pingyang are represented through varied flattened green-leaf samples on the counter rather than miniature caption clutter. Caption SONGYANG only.

Connect the worlds through the confident letter rhythm, a graceful tea branch and selected tabletop/terrace lines. Let figures and tools vary greatly in size. Empty alpha openings remain between the architecture, leaves and typography. No crowded rectangular scenic wall; no collection of identical badges. Zhejiang is a real tea-growing region, but do not turn the island sea into a plantation. The result should be immediate, rich, witty in its interaction with the letters, and impeccably crisp at small print size.