STEP 1 — original generation

Create a collector-quality TAIWAN tea-region ceramic decal. ONE attached image: the approved GD22 GUANGDONG grand-lettering design. Follow its actual graphic language closely: magnificent SOLID-INK serif letters, crisply outlined decorative leaves, simplified sculptural slopes, purposeful fine pen detail, flat opaque ink shapes, readable place captions. Recompose those ingredients as Taiwan. This is graphic illustration for print, NOT a painted landscape. 
HARD PRIORITIES IN ORDER: (1) exact legible title TAIWAN plus all 14 caption groups below; (2) GD22 decorative pen drawing and clean flat colour, no painterly rendering; (3) recognisable different local tea processes; (4) a rich connected overall composition with varied scale and interior transparency. Local miniatures should meet the word and neighbouring forms at selected points. Do not merge all regions into one invented plantation or fill every opening with mountains. 
OUTPUT: native PNG RGBA, 3840x1280, quality max. All artwork inside x60..3780/y95..1185, whole and unclipped. Design a shallow continuous illustrated word across almost the full width for a final 3840x1152/250x75mm export. Genuine alpha-zero outside drawn forms and in unprinted interior openings. No white/cream paper, painted sky, coloured sea rectangle, mist, shadow halo or checkerboard. No mockup.

FIVE INKS ONLY: #4F325E deep PLUM, #2B8775 mountain JADE, #A7AF62 muted tea-bud yellow-green, #CE9566 roast COPPER, #778DBB mountain PERIWINKLE. Plum and jade are the principal colours; copper and periwinkle visibly punctuate them. No black contour, bright grass green, gold wash or photographic natural colour. Finely anti-aliased edges only; no gradients or continuous-tone shading. The chosen Guangdong palette is replaced by these five inks. Use actual flat colour shapes, with restrained pen hatching inside selected baskets, roofs and leaves.

THE WORD: TAIWAN exactly once, original elegant high-contrast display serif, six unmistakable letters. Approximate width 2300 pixels, height 430–480 pixels, across the central body. Fill T with plum, first A with jade, I with copper, W with periwinkle, second A with muted yellow-green, N with plum. Each letter is ONE solid ink shape: no photographs, mountains, sea, painted scenery or texture filling its stems. Counters remain genuinely transparent. A few crisp tea sprigs grow across minor letter edges as in GD22; a small roof tucks under a terminal, a branch passes through one counter without blocking it. 
COMPOSITION: build a single elaborate decorative word-world from three uneven interlocking areas: northern leaf craft curling around T and first A; highland cultivation and central roasting gathered around I/W and the title's lower edge; eastern valleys and southern trees turning around the final A/N. Large central Dong Ding hands-and-basket and a northern tea shoot are the chief close details; smaller slopes, roofs and work surfaces join their contours. Do not assign one equal rectangle per locality. Label spaces are small transparent contour breaks; keep them legible rather than drawing over them. Leave a few naturally open letter/river/courtyard apertures. Do not isolate every miniature with a moat; do not plaster the gaps shut either.

MANDATORY CAPTIONED CONTENT. All fourteen place groups must be printed. Give each a recognisable physical tea detail, with overlapping/local grouping allowed. These are the exact caption strings; slashes indicate paired names, not separate extra pictures:

PINGLIN / WENSHAN — long Baozhong leaves spread on a broad bamboo tray by a worker beside curved northern tea rows. Place near the upper-left side of T. MAOKONG / SANXIA — adjoining small craft details beneath a northern tea-house eave: a charcoal-roasting basket for Muzha/Maokong Tieguanyin, and a shallow dish with distinctly curled Sanxia Biluochun leaves. Nest these at the first A's lower exterior edge.
HSINCHU / MIAOLI — an enlarged botanically observed shoot with ONE tiny leafhopper and long white-tipped Oriental Beauty leaves on a tray beside a modest courtyard roof.
YILAN — low river-valley tea plots and a person working a little rolling board, visibly lower and broader than the alpine scenes.
LISHAN / HEHUANSHAN — sharp high ridges, a few curved cultivated rows BELOW bare summits, tight rolled oolong leaves on a shelf. Small far peaks rise above the middle letters, drawn with a few decisive periwinkle/plum cuts.
MINGJIAN / SONGBOLING — a lower broad plateau, straighter rows and three different tea shoots.
LUGU / DONG DING — the main foreground circular roasting basket, natural hands turning rolled oolong, a low roasting stand and a simple workshop roof. Its curved rim engages the lower W. No theatrical flames or giant empty cup.
SHANLINXI — bamboo and narrow conifers rise through a steep small tea slope, their vertical rhythm joining the highland group.
YUCHI / SUN MOON LAKE — a crescent TRANSPARENT water opening between a few shore strokes, small tiered shore pagoda, plain cup and LONG black-tea leaves. Ruby18 belongs here, not to Luye. No herb garnish or sea view.
ALISHAN — cypresses, cultivated curved tea rows and a basket-carrying picker; a tiny forest-rail hint may be secondary. Link to the highland slopes at the word's right shoulder.
RUISUI / WUHE — long black-tea leaves and a plain tasting cup within broad river-terrace gardens. No honey jar: honey is a scent, not an added ingredient.
LUYE / TAITUNG — lower plateau garden and a maker handling tightly curled Red Oolong. Put beside the eastern river passage, visibly distinct from Ruisui's long black leaves.
LIUGUI — a taller NATURALLY BRANCHING native tea tree with large leaves and a quiet hand-gathering figure. It shapes the right end, rather than becoming another clipped hedge.
GANGKOU / MANZHOU — wind-bent southern coastal tea shoots, compact cultivated rows and a few sparse sea strokes. Complete the lower-right flow with actual tea, not a harbour, yacht or hotel.

All local captions: upright crisp dark PLUM capitals, approximately 38–44 pixels cap height, ample internal letter spacing, two lines when useful. Print each caption immediately adjacent to its actual content, with unobstructed transparent space behind text. Never pale italic handwriting, fake labels or tiny unreadable microtext. Do not omit names to gain a prettier landscape.

Tea knowledge creates richness: long Baozhong, curled Biluochun, tipped Oriental Beauty, rolled mountain/Dong Ding oolong, long Yuchi/Ruisui black leaves and rolled Luye Red Oolong must not all become identical green piles. No Guangdong citrus shell, Danxia red columns, roundhouse, bridge skyline or Guangdong place name. No Chinese, slogan, dates, commercial logo, invented sea palace or generic tropical flowers.