RENDERING REQUIREMENTS: Produce a new, completely crisp region-specific illustration. Borrow ONLY drawing style from the references; do not copy their region, title or place names. Use the exact region and English lettering in the brief. No blurred patches, mist, smoky shading, translucent brush smears or soft-focus architectural details. No clipping of objects or letters: keep an 80-pixel clear safety margin around the complete composition. True PNG RGBA transparency between the drawn shapes; no opaque white or coloured backing. Sharp ink edges, legible deliberate lettering.

Draw a collectible GUANGXI tourist-cup transfer with confident medium pen contours and restrained flat colour, following the reference's souvenir language. Eight substantial episodes reveal tea baskets, jasmine, broad leaves, wooden bridges, karst and river craft.

Deliver one 3840 x 1280 PNG with true RGBA transparency. Keep all marks inside x60..3780 and y110..1170 for a 250 x 75 mm wrap. No mockup, border, paper or backdrop. Unpainted spaces stay transparent, never white. Use indigo #423D65 contours, ochre #A17A28 and jade #538A72 selective solid fills. No gradients or extra colours.

The only text is GUANGXI, once, large upright serif capitals across the upper middle. Keep the whole word complete and unobstructed. No location labels, Chinese, numbers, logos, signatures or decorative pseudo-writing.

Arrange these eight clearly differentiated episodes in a varied, unboxed rhythm:
1. A large Liubao bamboo storage basket anchors the lower middle. One clearly drawn hand lifts its round lid, revealing curled dark tea leaves. Show a complete rim, simple woven bands and a firm base. The basket is drawn, not shaded: no chalky patch or blurred tan wash.
2. At left, a Hengzhou tea worker gently mixes recognisable small jasmine flowers with real tea leaves on a wide round bamboo tray. Distinguish flowers from leaves, and draw the hands, sleeves, face and tray edge cleanly. This is scenting tea, not a bowl of decorative blossoms alone.
3. A broad-leaved Lingyun tea shoot rises beside the worker as a strong near-view accent. Give each leaf a clear midrib, a few teeth and sparse edge marks; no fuzzy botanical texture.
4. A Sanjiang picker with a carrying basket reaches into two curved rows of tea bushes. Use large leaf clusters and an intelligible plucking hand. Keep the entire figure inside the scene.
5. A northern Guangxi covered timber bridge and one neighbouring tiered wooden tower form a single architectural group. Clear posts, railings and roof edges; leave the openings transparent.
6. Three rounded karst peaks rise above a small bamboo raft with a standing boatman. Use a few curved rock contours and three calm water lines. The river and mountain interiors remain largely open.
7. A Wuzhou river junk with two ochre sails carries a few visible tea baskets. Keep the hull, rigging and cargo simple, complete and cleanly separated.
8. A small coastal lighthouse and one leaning palm provide the final compact accent at the opposite end. The lighthouse is a regional travel motif; do not add an invented name or inscription.

Contrast the big basket, broad tray and tall shoot. Weave architecture and boats between them at varied heights. Allow natural overlaps but keep breathing spaces and complete silhouettes. No equal rows, same-size stickers or filler objects.

Use steady medium strokes, flat hard-edged patches and few interior lines. No dense hatching, watercolour, grain, shadows, mist, blur, smudges, ghost lines, feathering or low-opacity paint. Keep faces and fingers simple but intentional. All letters and objects stay inside the safe area.