PRODUCTION CALIBRATION: use the supplied crisp print illustration as the leading standard for edge clarity, and use any cup photo only for its hand-drawn spirit. Create original local subjects; never reproduce the reference title or region. All strokes and letters must be sharp, complete, readable and deliberately drawn. No painterly blur, soft dirty halos, translucent smearing, duplicated words or pseudo-writing. Every complete object and letter stays 120 pixels inside each native edge. All unpainted exterior and interior openings must be genuine transparent alpha, not an opaque white canvas. Replace any weak fine detail with fewer clear graphic marks.

Create an exceptional original flat illustration for a collectible tea-region ceramic wrap. The attached image is a STYLE reference, not a content reference: preserve its drawing intelligence, print character and relationship between title, scenes and empty glaze; replace every Guangdong-specific subject and word. Output one panoramic native 3840 x 1280 pixel PNG with a genuine RGBA alpha channel. All artwork, including lettering, must remain wholly inside x60..3780 and y110..1170. The upper and lower outside bands and the external negative space must be transparent, not white paint. The final production crop will be 3840 x 1152 pixels for a 250 x 75 mm wrap; do not draw dimensions, crop marks or a frame. No mug, mockup, photograph, simulated paper, decorative rectangular background, cast shadow, checkerboard or watermark.

DRAWING AND PRINT DISCIPLINE: Use confident authored linework, recognisable local silhouettes, selective flat colour and well-resolved hands, vessels and architecture. Details reward close looking but the main story reads across a small ceramic surface. Colour belongs to actual drawn objects or deliberate bounded accents. Transparent sky, river openings, architectural gaps and open vessel interiors are part of the design. Do not use a continuous opaque landscape base, atmosphere wash, cream substrate or enormous filled silhouette behind everything. Keep deliberate pauses between major masses without making a sticker sheet. Never cut off a letter, roof, person, handle or tree at the image boundary. Do not scatter repeated generic teapots as filler. Each featured tea action must communicate a different part of the region's tea story. This is an illustrated interpretation, not a navigable map: no compass, coordinate grid, dotted connectors, numbered pins, legend or tiny labels.

COLLECTION C3 — LIVING TEA TERRITORY.
Five-colour illustrated tea territory, richly connected with a real regional river, ridge, street or courtyard procession as its organising spine. One large near tea action, a substantial counterweight and smaller midground scenes form three depths. Neighbouring episodes share real ground contours or architectural parts; there is no two-row grid or detached sticker arrangement. Strong condensed regional title fits the lower rhythm without acting as an opaque footer. Warm human storytelling, controlled decorative detail and selective flat accents.

REGION: BEIJING. EXACT PALETTE: #702A2D, #C58B36, #587D79, #9F5845, #759CAF. Use only these opaque graphic inks and their clean antialiased edges; no white ink, black substitution or extra colours. Transparent negative space is not an additional ink.

Build one imagined but believable Beijing tea street opened as an architectural cutaway: at left a merchant receives plain tea boxes and weighs incoming southern tea; centre-left a buyer samples tea at a Maliandao-inspired counter; the central open courtyard hosts neighbours sharing jasmine tea; at right a performer addresses guests at low tea tables in a Lao She Teahouse-inspired hall. A small park tea pavilion behind the courtyard recalls Laijin Yuxuan. Connect people through serving, weighing, choosing and listening, not through repeated identical tea ceremonies.

REGIONAL TRUTH: Beijing is a tea-consumption, merchant and teahouse city rather than a plantation region. Maliandao is an established tea-trade district. Jasmine tea is central to its everyday tea identity, with long-established tea merchants around Qianmen/Dashilan and other city districts. Its tea and scenting flowers are supplied from southern producing regions; do not portray tea or jasmine plantations in Beijing. Lao She Teahouse links tea to performance, and Laijin Yuxuan is a documented historic park teahouse. Hutong tea tables are an interpretive everyday scene, not a claim that a particular fictional shop exists. Never stage tea growing on the Great Wall or identify Jinshanling as inside Beijing.

SPECIFIC COMPOSITION: A serpentine hutong wall and open wooden arcade connect the four principal actions, with a large foreground pouring hand and modest kettle as the close counterweight. The condensed lower title sits in a quiet gap, never on a solid signboard. Courtyard floor, window openings and table legs remain genuinely transparent.

TEXT: Main title exactly "BEIJING". Secondary labels, each once and attached to its correct scene: Maliandao; Qianmen; Jasmine Tea; Laijin Yuxuan. No other text.

FINAL ART DIRECTION: Make every major group different in scale and gesture. Do not give every scene a surrounding halo or a separate base. A viewer should discover a clear regional idea at arm's length and then human actions, leaf shapes and local building features nearby. Keep the specified palette visible as actual graphic inks, not merely a tint over green scenery. Do not add unrequested slogans, stamps, logos, dates, Chinese characters or gibberish. The exact allowed English words below are the entire text vocabulary. Keep secondary words comfortably readable if allowed; omit a minor caption rather than shrinking it to microscopic lettering. Render the regional title exactly once and complete, with comfortable space around it. No extra title repeated on vessels or buildings. Draw a finished cohesive piece of print art, never a presentation board.